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HOPKINSON John & James
in London

1856

FIRE

"Fire at Hopkinson's pianoforte factory. Fire At Messrs. J. And J. Hopkinson's Pianoforte Manufactory. —

A most extensive conflagration occurred on Saturday night, and lasted till Sunday evening, in the manufactory of Messrs. J. and J. Hopkinson, situate in Diana-place, Newroad. The origin of the fire could not be ascertained.

The premises were partially insured in the North of England and County fire-offices. Messrs. Gray and Davison's organ factory narrowly escaped.

The end of the Gothic roof of their organ loft having caught the flames, several engines were at once directed to the spot, and, luckily, the building, which was full of organs, in various stages of completion, was saved." The Musical World, 19/01/1856, p. 38

"The Fire At Messrs. J. And J. Hopkinson's.

In our last week's impression we mentioned the extensive fire that took place at the pianoforte manufactory of Messrs. Hopkinson, when nothing was left standing but the walls.

These on the eastern and western sides were of great height, and, being unsupported by the walls on the north and south sides, in consequence of the ravages made by the fire, presented a most threatening appearance to the neighbouring houses.

On Thursday morning the wind blew so strongly that the wall at the eastern end of the premises fell, and crushed in its fall three small houses and buried the inmates in the ruins. They were rescued, however, though some of their injuries were of a fatal, and several were of a serious character." The Musical World, 26/01/1856, p. 58


1879

discussion about the highest award at the Paris Exhibition of 1878,
HOPKINSON BRINSMEAD

THE HIGHEST AWARD AT THE PARIS EXHIBITION.

"SIR, -The public are being cautioned in the daily papers, firstly by Messrs. J. & J. Hopkinson, that they alone were awarded the highest honours for pianofortes at the recent Paris Exhibition, and secondly, by Messrs. J. Brinsmead & Sons, who claim to have received the highest award at the same Exhibition.

As these appeals are to the public it is worth while just to see how the matter stands. It appears to me that the actual and essential awards at any great international exhibition must be made by the jurors of such exhibition.

They are duly appointed, and are the only persons who have the full opportunity of passing judgment upon the merits of the productions. Where their competency is at all questioned it is invariably found to be by some disappointed exhibitor, and after the awards have been made.

The awards made by those jurors are the only bonâ fide decision as to the relative merits of exhibitors' goods, or else the exhibition is a sham, and the jurors mere actors in a farce. The official list of awards made to British exhibitors was issued by order of H.R.H. the Prince of Wales, and published by Messrs. Eyre & Spottiswoode. The awards are placed as follows (see page 65), Class 13, Musical Instruments :

J. & J. Hopkinson, 235, Regent Street, London, gold medal for pianofortes of various models, good quality, and improved mechanism. J. Brinsmead & Sons, 18, Wigmore Street, Cavendish Square, silver medal, awarded for pianos, progress since 1867.

These are the awards, pure and simple; nor is there any mention throughout the book of any "L'Academie an Nationale," nor of any "Cross of the Legion of Honour." This is, I take it, clear proof that the jurors were neither empowered nor inclined to make such awards, as, had they considered Messrs. Brinsmead's pianos of higher merit than Messrs. Hopkinson's, they had a still higher award at their disposal, viz., the "Grand Prix."

The fact is, however, they judged them of lower order than Messrs. Hopkinson's, and therefore awarded a silver, or second class medal. It is difficult to conceive that in the face of the above facts a firm of Messrs. Brinsmead's standing could put forth a circular which contains the following statement :

"We have pleasure in informing you that the highest honours at the Paris Exhibition of last year were gained by us, in addition to the award of gold medal of the National Academy of France, and also the silver medal. The founder of our firm was honoured with the cross of the Legion of Honour."

This statement is put forth with the full knowledge that the actual jurors awarded Messrs. Brinsmead & Sons the silver medal only, and had nothing whatever to do with awarding the L'Academie Nationale medal, nor the cross of the Legion of Honour. The members of the music trades and profession have not been slow to deprecate such appropriation of honours not fairly won in competition.

It appears to me that, unless exhibitors are content to abide by the decisions of the jurors, the whole principle of international exhibitions is vitiated and destroyed. The Councils did not anticipate that all sorts of outside awards, not gained in open competition, would be tacked on to the legitimate awards, thus misleading the public and detracting from the well-earned honours of the more successful competitors.

Such conduct can therefore only have the effect of rendering high exhibition honours worthless, and thereby of preventing the most successful competitors sending their goods to future exhibitions. Most traders know how difficult it is to deal legally with such cases, and therefore rely upon the honour and integrity of all exhibitors, and it a great pity to find such qualities are not strictly observed.

It is not enough that Messrs. Brinsmead should tell the public by advertisement, &c., that at "the Paris Exhibition, 1878," they were awarded, in addition to the silver medal, this, that, and the other; but as a member of that public to whom Messrs. Brinsmead appeal, I challenge them to say plainly if the jurors of the Paris Exhibition, 1878, awarded to their firm, and on the merits of their goods, any higher award than the silver medal, and if it is not a fact that the decoration of the Legion of Honour was not communicated to them until long after the jurors had completed their duties and had no further connexion with the Exhibition.
Yours very truly,
RICHARD BUTLER.
31, Heron Road, Brixton, S.E.

SIR, - The paper war which is being waged between the exhibitors who gained honours at the Paris Exhibition last year has been raging rather warmly. It has been suggested that, as Messrs. Hopkinson, with their gold medal, and Messrs. Brinsmead, with their Legion of Honour, cannot decide between themselves which firm has the higher award, the following trial should be made : St. James's Hall should be taken for the performance, by M. Rubinstein, Dr. Hans Von Bülow, or any other muscular pianist of the "higher development" school, in order that they may play on the rival instruments for an allotted time. Whichever piano emerges from the conflict with the smallest number of broken strings and smashed hammers can then be declared the victor.

In sober earnestness, which is the higher honour, the cross of the Legion of Honour or the gold medal ? The Legion of Honour is so high a dis. tinction that both the cradle and the bier of the last of the Napoleons were covered by it, it being the most coveted decoration of the French nation.

To obtain one of the gold medals was a great honour, but I should scarcely have thought that any exhibitor would have considered it superior to the personal distinction of Knight of the Legion of Honour. As a professor of music, I wish to know if I am correct in telling my pupils that Messrs. Hopkinson gained the highest honour, and Messrs. Brinsmead the supreme one?

This matter is of so much interest to the music trade and profession that I hope it will soon be satis. factorily settled.
Yours respectfully,
ALFRED R. MOULTON.
5, Old Quebec Street, Portman Square.

SIR, - In the dispute as to who received the highest honour at the late Paris Exhibition, there is so much that is vague and unsatisfactory that I trust you will spare me brief space to discuss the question, so that if possible the trade may know how the matter really stands.

In all the official announcements as to the nature of the awards, no mention is made whatever of another or higher award than the gold medal. The jurors went their round of the English exhibits, scarcely noticing most of the instruments, although I understand Dr. Stainer endeavoured in vain to direct his brother jurors' attention to several of the pianos exhibited. The jury spent a very long time at Messrs. Brinsmead's stand, also at Messrs. Hopkinson's. The result was as we all know no one satisfied, but the arrangement so far carried out.

After some time we hear of another awardmustard, pianos, and pickles being the lucky recipients. This is no less than the coveted Legion of Honour established by the great Napoleon as a reward for noble deeds and martial valour. This is said to confer the super highest honour on Messrs. Brinsmead.

Now at this stage we seem to get somewhat into the fog. On the one hand we are told this was a "superior recompense," but in Messrs. Brinsmead's advertisement in your last issue for August we are told "the brevet conferred the Legion of Honour on the senior member as an exhibitor."

If this is the case, then perhaps, Mr. Editor, we are all as exhibitors to receive this said super highest honour. But in two circulars Messrs. Brinsmead have issued to the trade we are told "that a misconception having been caused by other exhibitors, we have great pleasure in informing you that the highest honours were gained by us...

That in addition to the gold medal of the by National Academy of France, &c., the founder, &c., of our great firm, &c., was created Chevalier of the Legion of Honour, as the following extract, &c., will show... There is but one class of gold medals for the Exhibition, and the decoration of the cross of the Legion of Honour constitutes a superior recompense.

Now, sir, this is very explicit and to the point; but judge my surprise when I read on and find the Signed A. Fétis, Official Reporter of following: the Musical Juries at the International Exhibitions of 1862 and 1867."

M. Fétis, sir, is dead, and, as we know, "dead men tell no tales." But how the deceased M. Fétis can venture to express an opinion on Mr. Brinsmead's Legion of Honour, I, as a simple member of the trade, and as an exhibitor at the Paris Exhibition of 1878, cannot well conceive.

Nor do I quite understand what the opinion of the deceased M. Fétis in 1862 and 1867 has to do with the Exhibition of 1878. Are the juries permanent? or did the juries of 1862 and 1867 prophetically anticipate the great eminence to which the firm of Brinsmead & Sons would rise, and so then confer this said Legion of Honour only waiting the grand result ?

Who knows but what some of us now among the undecorated may have our decorations waiting the result of the Exhibition of 1888, 1898, or A. D. 2008!

But, seriously, Mr. Editor, why should there be all this vagueness? If Messrs. Brinsmead's pianos were so superior, surely the jury had ample opportunity of knowing it. Every possible means, we are told, were taken to convince the jury of the merits of their manufacture, yet the gold medal was not awarded them.

The silver medal was their guerdon, because the jury were satisfied Messrs. Hopkinson's exhibits were superior. The jury having given Messrs. Brinsmead the second honour, how is it they did, and at the same time did not, alter their opinion? Because, clearly, if Messrs. Brinsmead won the Legion of Honour for super excellence, they have no right to the silver medal. As it stands at present, they get the super highest award and the second-rate award for the same exhibits.

I know I am stating the feeling of the trade when I say we have a right to a full and clear explanation of this matter. So much discredit has been brought on exhibitions through undue influence and ignorant awards, that the leading manufacturers are ceasing to exhibit, and the whole affair is degenerating into a medium for further enabling the advertising and puffing tradesmen to push their wares.

No one, I feel sure, if the competition were fair, would for a moment begrudge Messrs. Brinsmead, or any other firm, the blue ribbon if it be won in a fair encounter. All honour to the house which, by superior skill and ability, wins this proud position.

I am afraid, sir, I have trespassed too much on your valuable space. This letter, I hope, will be read in the spirit it is written, and be the means of the present unsatisfactory state of the awards being properly explained.
Yours obediently,
HENRY A. IVORY.
Wood Green.

SIR, - I notice, from the advertisements in your valuable paper, that Brinsmead and Hopkinson, on different pages, both claim that their respective firms received the highest honours at the Paris Exhibition last year, and both caution the trade against advertisements leading to a contrary conclusion.

This matter is surely one of easy solution, if the statement be correct that the Legion of Honour was conferred on John Brinsmead and the gold medal on J. & J. Hopkinson. The numerous gold medals were inferior to the "Grand Prix," which in turn was inferior to the Legion of Honour, a decoration which was accorded to a very limited number "for their merits as exhibitors."

Messrs. Hopkinson are in error when they state that "the Legion of Honour cannot honourably be used for trade purposes." they will refer to the notice from the French Government to which they allude in their advertisement, they will see that the decoration may be named "on cards, invoice headings, and letter-paper," although it is requested that it may not be used in any way which would lessen the "prestige to which the order has so long and justly been entitled."

Those who were considered entitled to the highest honours were distinguished with the cross of the Legion of Honour, that being "the supreme award," as it had to be submitted by the jury to the higher tribunal, and to be passed by the Ministers and by the President himself. There can, therefore, be but little doubt about which firm gained the highest honours.
I am, Sir, Yours respectfully,
J. W. WHITEHEAD.
1, Great Quebec Street, Marylebone Road, W., Sept. 2, 1879.

ENGLISH v. FOREIGN PIANOS.

DEAR SIR, - Mr. Hargreaves's reply to my letter of July Ist seems to be on the principle that "having a bad case, abuse the counsel on the other side." He insinuates that in my letters I am the mouthpiece of Messrs. Hopkinson. Allow me to say that this assumption is entirely erroneous, my letters being the result of my own experience, and that in them

This looks very like contrition. Let us quote his letter of February last, and see how it bears out this bold flourish of trumpets.

He there says, "Now, as a trader, I have become a critic of manufacturers and their productions, and as regards English-made pianos, I have come to the conclusion that they are very dear and very bad." Further, "No doubt there are a great number of boxes of wire made in your great city, but there is one thing, your citizens do not make them well."

This is language that Mr. Hargreaves may well be ashamed of. The following foot-note was added by you, Mr. Editor : - "We are neither protectionists nor believers that English pianos are as bad as Mr. Hargreaves paints them."

If Mr. Hargreaves is not here convicted out of his own mouth, then the English language must have lost its meaning.
Faithfully yours,
F. W. WHITEHOUSE.
September 2, 1879.

[It seems to us that this discussion, which, if we recollect rightly, began with an argument about free trade and reciprocity, and developed into oped into a controversy on the respective merits of English and foreign pianos, has somewhat run off the track.

May we, with the diffidence of one who is aware of the fate awaiting "those who in quarrels interpose," venture to suggest that the trade and the public care far more for full and temperate discussions of broad questions than for any manifestations of opinion of a purely personal nature?] Music Trades Review, 15/09/1879, p. 4-5


1883

"In order to keep pace with foreign competition, Messrs. J. & J. Hopkinson, of 95, New Bond Street, have recently introduced several new styles of pianos, which they claim are superior to foreign made pianos and equally cheap in price.

Messrs. J. & J. Hopkinson specially direct attention to their new Boudoir cottages, their new pianettes, which they claim "can be thoroughly relied upon for hard wear," and their new overstrung upright grands." Music Trades Review, 15/09/1883, p. 27


1892

IN THE HIGH COURT OF JUSTICE. - CHANCERY DIVISION.
Before Mr. JUSTICE KEKEWICH. - March 16th, 1892.
IN THE MATTER OF HOPKINSON'S TRADE MARKS.

"Trade marks. Motion to rectify.-Names registered as trade marks used before 1875.-Addition of flourishes and scrolls. - Special and distinctive words. J. and J. H. registered several trade marks as used before 1875, some of which consisted of a name printed in ordinary capital type, and the others of a firm name and "London" with certain flourishes and scrolls. On a motion to rectify the Register by expunging these marks.

Held, that names used as trade marks before 1875 were special and distinctive words and entitled to be registered, and that the several trade marks in this case were special and distinctive words used as trade marks before 1875, and the application must be refused with costs.

The firm of J. and J. Hopkinson had for many years carried on business as manufacturers of pianofortes.

On the 14th of December 1881, they applied for and obtained registration, 50 under the Trade Marks Registration Act, 1875, of three trade marks, Nos. 27,234, 27,235, and 27,236 in Class 9 for pianofortes. No. 27,234 consisted of the name of "J. & J. Hopkinson" in ordinary capital type, and was claimed as having been used for 33 years before 13th of August 1875. No 27,235 was as follows :


This mark was claimed as having been used for 24 years before the 13th of August 1875. No 27,236 was as follows :

This mark was claimed as having been used for 13 years before 13th of August 1875.

On the 28th of January 1888, Messrs. Hopkinson applied for and obtained registration, under the Patents, Designs and Trade Marks Act, 1883, of two more 5 trade marks, Nos. 72,185 and 72,186 in Class 9 for pianofortes. No. 72,185 consisted of the name "Hopkinson" in ordinary capital type, and was claimed on having been used for 40 years before the 13th of August 1875. No. 72,186 consisted of the name "Hopkinson, London," and was claimed as having been used for 29 years before the 13th of August 1875.

In use, Nos. 27,235 and 27,236 were printed in black and gold from blocks belonging to Messrs. Hopkinson, and affixed to the fall of the pianos. Nos. 27,234, 72,185, and 72,186 were punched from blocks belonging to Messrs. Hopkinson on the interior woodwork of the pianos.

In 1891 Messrs. Hopkinson brought an action for infringement of their 15 marks Nos. 27,255 and 6, against a John Hopkinson, a pianoforte dealer, who had placed the name "J. Hopkinson, London," surmounted by the Royal Arms and surmounted by scroll work, the whole arranged in the form of a horizontal elongated oval, and printed in black and gold on the falls of his pianos. The action was tried in the Queen's Bench Division in January 1892, and a verdict 20 was found and judgment was given in favour of the Plaintiffs. The Defendant gave notice of motion for a new trial.

On the 6th of February 1892, the Defendant gave notice of motion to rectify the Register of Trade Marks by expunging all the Plaintiffs' five registered marks.

Affidavits were filed on both sides and a letter written by the Registrar of Trade Marks was put in evidence, which stated that since the passing of the Act of 1875 down to the present time it had been the practice in the Patent Office to accept for registration surnames or names of persons or firms in ordinary type under the provisions in the successive Acts of Parliament authorizing the 30 registration of any special and distinctive word, or words or combination of figures or letters, used as a trade mark before the passing of the Act of 1875, and it was also proved that a considerable number of such names had been registered as old trade marks.

Moulton, Q. C., and Israel Davis (instructed by Timbrell and Deighton) for the 35 Applicants. Taking the two marks registered in 1888 first, that is to say, the names "Hopkinson" and "Hopkinson, London," printed in ordinary capital type, we do not dispute that on the evidence those words were used as trade marks before 1875, but we say that there never have been and cannot be "special and distinctive words."

It is clear that they are not "printed in some particular 40 and distinctive manner within the earlier part of sec. 10 of the Act of 1875, so that the Respondents must rely on the provisions in favour of old marks. It is not a question of printing, it is the word itself which is claimed. Leonard and Ellis v. Wells and Co., 26 Ch. D. 288; and the result is that the right in the name "Hopkinson," so long as the registration remains, is absolute, and that 45 no person of that name can use it in connection with pianos even if he puts other distinguishing marks with it.

Such an attempt to monopolize a name is contrary to the spirit of the decisions in Burgess v. Burgess, 3 De M. & G. 896, and Turton v. Turton, 42 Ch. D. 128. Those cases show that a man is not to be interfered with in the honest use of his own name. Consequently, before 50 the Act of 1875, although the Respondents used this name as a trade mark, any other Hopkinson could do the same, and that prevents the name from being a special destinctive word. Even if it could be called distinctive, it was certainly not special.

Warmington, Q. C., and Sebastian (instructed by Thairlwall) for the Respondents. We do not say that these names could be registered as new trade marks, as special and distinctive printing would be required, but we say that they were used as trade marks before 1875, and that they are special and distinctive. That question is, in the case of marks used before 1875, a question of evidence (in re Van Duzer, 4 R.P.C. 31, and the evidence here is clear In the Matter of Hopkinson's Trade Marks.

and distinct that the words were and are special and distinctive of the Respondents' pianos. This was so in fact, and that fact will be recognized by the Court. In Richards v. Butcher, 8 R.P.C. 47, Kay, J., said :-" What "does a trade mark mean ?

The essence of a trade mark is that it is some "distinctive thing which points out that the goods are the goods of A. B. How "could you point them out to be the goods of A. B. better than by putting A. B's. "name upon them ?" Ainsworth v. Walmsley, L.R. 1 Eq. 518, and Lord Kingsdown's observations in Leather Cloth Co. v. American Leather Cloth Co., 11 H.L. C. 523, 534 show that these marks were good trade marks before the Act.

Consequently Messrs. Hopkinson had a right of property in them 10 (McAndrew v. Bassett, 4 De G. J. & S.380), and this Court is being asked to limit the provision in the Act for the protection of old trade mark owners, and to say that the Act has taken away their property. If there was a time that any Hopkinson could put "Hopkinson" on pianos that time was gone (McAndrew v. Bassett), but there is nothing to prevent any Hopkinson from using his name in any honest way.

He can even put it on pianos if he distinguishes it from the Respondent's marks. The application is in effect that the practice of the registry for the last 16 years may be reversed, and the Court will be slow to do that unless the practice is clearly wrong. In Re Hudson's Trade Mark, Ch. D. 310, at p. 320-1, per Cotton, L.J., 3 R.P.C. 155.

Moulton, Q.C., in reply. The authorities referred to in support of the proposition, that a name was a good trade mark before 1875, all reserve the rights of other persons bearing the same name, and that is sufficient to prevent the name from being a special and distinctive word.

KEKEWICH, J. - For many years - I am told forty, but before 1875, Messrs. J. and J. Hopkinson, of New Bond Street, or their predecessors in title, manufactured and sold pianos, and used, to distinguish them in the market, the word "Hopkinson." That I understand to be the effect of the evidence.

According to the authorities, which were well established before 1875, if any other person had sold a piano as "Hopkinson," with that name on it and nothing else, he would undoubtedly have been liable to an injunction, and not the less because his own name was Hopkinson.

The Court would have said I apprehend, without the slightest doubt or hesitation, that he might call himself J. Hopkinson, or Hopkinson & Co., or by any other slight addition which would be sufficient to the ordinary buyer to show that he was not Hopkinson of New Bond Street.

But it was then a trade mark-a property-apart from the man's name, something which belonged to him, which gave his pianos a vendible character in the market. Then comes the Act of 1875, and from thenceforward a man cannot interfere with the use of what he calls a trade mark, unless it is registered under the Act.

He can no doubt still avail himself of his old equitable remedy, now of course pursued in the Queen's Bench Division, and if he can prove that there has been a successful endeavour, or what we used to call a threatening and intending to pass off the goods of the Defendant as the goods of the Plaintiff, then he is still entitled to have an Injunction, but not merely on the ground of the property in the trade mark, which existed before the Act.

If the Applicant's view is right, this Act of Parliament stepped in and said that what was the law before the Act should be entirely altered, that what was Messrs. Hopkinsons' right up to the date of the passing of the Act should be taken away, and that they should no longer have that property.

Far be it for me to say that it might not be for the public benefit that there 50 should be such legislation, and that Parliament might not have come to that conclusion; but it has frequently been said-and I have no reluctance to say it again-that one does not presume Parliament to have been intentionally unjust, and therefore that is not the conclusion at which I should arrive without plain words.

Is there any reason why I should arrive at such a conclusion? The 10th section of the Act of 1875 contemplates that from thenceforward the name of an individual or of a firm might be used as a trade mark, but it provides that it should be "printed, impressed, or woven in some particular and distinctive manner; " but that is only as regards "a trade mark for the purposes of the Act."

It does not refer to previous user at all. Then, later on in the same section, it provides that a trade mark may also consist of any special and distinctive word or words, or combination of figures or letters, used as a trade mark before the passing of this Act, and which may be 5 registered as such under the Act.

The first observation is that it must be something quite different from "the name of an individual or firm printed, impressed, or woven in some particular and distinctive manner."

It cannot be said that the name of an individual or firm was intended there, and that only, when those words were used just above, with the addition which I have mentioned. There must have been something else in the contemplation of the Legislature there, and I think the something else is to be found in the phrase "used as a trade mark before the passing of this Act."

What do the words "special and distinctive word or words" mean? Are they really anything more than declaratory of the law as it existed before the passing of the Act ?

That is to say, do they do more than incorporate into the Statutory provisions what had existed before the Act was passed?

In order to protect a trade mark before the Act, you were obliged to find, not only that the words were used as a trade mark, but that they were of such a character as may, I think, be fairly termed special and distinctive; that is to say, you were obliged to prove by evidence, and satisfy the Court, that the words used as a trade mark were known in the market, and I think it is Lord Westbury's phrase gave a vendible character to the articles to which they were attached, made those articles recognised as coming from the particular manufactory, and so gave them a character different from that of every other article in the trade.

Therefore it seems to me that the Legislature here did no more than adopt the language of the cases, reduce it into a compressed form, and really say that what the Court would have held to be a trade mark independently of the Act, shall now be capable of registration as a trade mark under the Act, provided only that it has been used as a trade mark before the passing of the Act. 30 What is the meaning of "special ?"

I think that "special" must be intended to mean that which separates the article to which it is applied from all others of the same class or character; something which points it out as standing alone; which makes the man who sees it or reads it understand that it has a special standing--a special existence that it is not one of the general class, say, of pianos, but that it belongs to a class of a particular character. "Distinctive" is a little different.

There I would not hazard my own definition, because I have one to hand in the judgment which has been cited in Richards v. Butcher, where Mr. Justice Kay says : "The essence of a trade "mark is that it is some distinctive thing which points out that the goods are "the goods of A.B." Here we have "Hopkinson."

It is quite true that there may be, and are, many Hopkinsons, and no one would contend that under the present legislation you could register "Hopkinson" as a trade mark. Nay, more than that, it must have been extremely difficult-at least it would be now for Messrs. Hopkinson to build up the reputation of their pianos, so that they might be known simply by the name of "Hopkinson."

According to what I have been told in this case, it would be now impossible, because there are other Hopkinsons in the trade, and they would not be allowed to do it. There would be competitors which would make it impossible.

But that is just where the strength of their case comes in. They established their right to the name "Hopkinson" before others of the clan emulated them, and perhaps they emulated them because of their great success. But having established it, why are they not entitled to keep it? Why are they not entitled to the reputation, and the advantage of the reputation, because somebody else now desires to trade in his own name? By all means let him trade in his own name.

I am not now saying what he may or may not do, but what I do now say is, that Messrs. Hopkinson having registered this trade mark, and having proved to my Batisfaction because although the evidence has not been read it has not been disputed that they used this word for many years before 1875, and that their pianos were known by this name in that way, I think they are entitled to retain on the register the trade mark which they have placed there.

Now "Hopkinson's, London" was, Mr. Moulton said, an a fortiori case. am not prepared to follow him fully to that extent, but I think it is equally strong, and one Judgment governs both.

Moulton, Q. C. -Then with regard to the others, your Lordship's decision, I take it, would cover No. 27,234, "J. & J. Hopkinson" in the ordinary type. KEKEWICH, J. - Certainly, if the evidence is sufficient.

Moulton, Q. C. - It is the same. Now as to 27,235 and 27,236, which are the two sued on in the action, they become very important from your Lordship's judgment with regard to the effect of the use of the word "Hopkinson," and "Hopkinson, London," which are not necessarily infringed by the use of "J. Hopkinson," and thus the validity of these may be matters which do not in any way affect my client.

Taking No. 27,235, either it is a trade mark depending on words alone, in which case it is covered by your Lordship's decision, or else it is a combination of words and of a device. If it is a combination of words and of a device, then, although an old mark, it is no more privileged than a new mark, and the question is, would it be good if it was a new mark ?

KEKEWICH, J. - Where is the device ?
Moulton, Q. C. -The scroll.

KEKEWICH, J. - Is the use of a firm's name, assuming it to be a good trade mark, any the less good because they put such a thing round it ?

Moulton, Q. C. -If it is the question of the way in which it is printed, if it is the question of the scroll round it, then in both those cases it stands or falls like a new mark. If it is a mere question of words, if it is a question whether the words only are protected, then any question of infringement must depend on the use of the words.

KEKEWICH, J. -It does not seem to be a question of device.
Moulton, Q. C.-I submit these are devices.

KEKEWICH, J. -I do not at present consider them devices. I am disposed to support this trade mark as "special and distinctive words used as a trade "mark before the passing of the Act."

Moulton, Q. C. -If your Lordship supports it as that if your Lordship holds there is no device there, that it comes under those words, then I will not repeat myself.

KEKEWICH, J. -I look upon that as a mere adventitious circumstance, the same as the little line which I put generally under my own signature-which I sometimes put in and sometimes do not.

Moulton, Q. C. -Then with regard to No. 27,236.

KEKEWICK, J. -That is clearer still, the ellipse.

Moulton, Q. C. -It is merely the case of the use of "J. & J. Hopkinson, London," and the question of the device your Lordship does not consider important.

KEKEWICH, J. -I will make the order in this form, "The Court being of" opinion that these several trade marks are special and distinctive words used "as a trade mark before the passing of the Act of 1875, and were therefore "properly registered, refuses the application with costs." You do not object to my putting it in that way, Mr. Warmington?

Warmington, Q. C. -No, but my friend must not say that there is any Judgment on any other point. That is the whole of your Lordship's Judgment.

KEKEWICH, J. - Yes." Reports of Patent, Design, and Trade Mark Cases, Volume 9, 1892, p. 102-108


1902

The Valkyrie upright grand piano,
 designed by Leonard Wyburd,
 executed by Messrs. J. and J. Hopkinson, Ltd.,

 The Studio, Volume 26, 1902, p. 133

"We give an illustration on page 133 of an upright grand piano designed by Leonard Wyburd and executed by Messrs. J. and J. Hopkinson." The Studio, Volume 26, 1902, p. 141


1912

Messrs. J. & J. Hopkinson's Cricket & Athletic Club.

"THE annual dinner of this organisation was held at Reggiori's Hotel, King's Cross, on December 16th, the managing director of the company (Mr. Frank Challen) being in the chair. There was a large attendance. Mr. C. Wharton Collard gave the toast of "The Hopkinson C. and A. Club" and alluded to the sportsmanlike way in which the members of it behaved whilst competing against the Collard & Collard cricketers last summer at Edgware.

Mr. H. Bryson responded and gave many facts and figures not only in connection with cricketing results, but also in connection with the men's prowess in walking, swimming, shooting, running and billiards. He regretted that the club men had not done better when set up against others; but the fact was that Messrs. Hopkinson had had a very busy summer, -the result being that the employees had been worked at full pressure during that period.

There was a large number of prizes, the same being distributed by the president Mr. F. Challen in well chosen, encouraging, pithy and often witty remarks. He presented, too, a cricket bat and ball. As before stated, the prize list was a lengthy one; and the speaker told us that, in the shooting matches, Mr. Fleet, junior, had won two prizes. However, as he had mastered nearly all that there was to learn in a piano factory, he had rejoined his father (the well known dealer of Colwyn Bay).

The toast of "The Firm" was to have been given by Mr. Louis Bamberger (regrettably unwell); but he had a good substitute in Mr. Herbert Brinsmead (Messrs. J. & J. Goddard), a son of the late ever lamented Mr. Thomas Brinsmead.

The speaker eulogised the company on having kept in the front rank of the makers; their output of pianofortes was great and during the past two years exhibition honours had been conferred upon the firm (at Brussels and quite recently le grand prix at Turin). He also congratulated the employees on the happy results obtained, for without their co-operation the house could not have advanced as it had.

Mr. Frank Challen responded in a somewhat lengthy speech, in which he stated that he thought it would soon be advisable for piano manufacturers and their employees to consult and put their views together, as to how the expenses of the Insurance Bill were to be met. He knew that some thought "Let the consumer pay." But, he remarked, that was easier said than done. However, he had no doubt but that the workmen and the Hopkinson company would come to an amicable arrangement as hitherto.

Mr. John Wood (Messrs. Cramer) responded to "The Visitors." In the course of the evening a deal of capital music was rendered, some of the performers - the solo violinist, alson two of the accompanists - being on the staff of the house." Musical Opinion and Music Trade Review, Volume 35, 01/1912, p. 295

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