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FIRE
A most extensive conflagration occurred on Saturday night, and lasted till Sunday evening, in the manufactory of Messrs. J. and J. Hopkinson, situate in Diana-place, Newroad. The origin of the fire could not be ascertained. The premises were partially insured in the North of England and County fire-offices. Messrs. Gray and Davison's organ factory narrowly escaped. The end of the Gothic roof of their organ loft having caught the flames, several engines were at once directed to the spot, and, luckily, the building, which was full of organs, in various stages of completion, was saved." The Musical World, 19/01/1856, p. 38
In our last week's impression we mentioned the extensive fire that took place at the pianoforte manufactory of Messrs. Hopkinson, when nothing was left standing but the walls. These on the eastern and western sides were of great height, and, being unsupported by the walls on the north and south sides, in consequence of the ravages made by the fire, presented a most threatening appearance to the neighbouring houses. On Thursday morning the wind blew so strongly that the wall at the eastern end of the premises fell, and crushed in its fall three small houses and buried the inmates in the ruins. They were rescued, however, though some of their injuries were of a fatal, and several were of a serious character." The Musical World, 26/01/1856, p. 58
discussion about the highest award at the Paris Exhibition of 1878, THE HIGHEST AWARD AT THE PARIS EXHIBITION.
As these appeals are to the public it is worth while just to see how the matter stands. It appears to me that the actual and essential awards at any great international exhibition must be made by the jurors of such exhibition. They are duly appointed, and are the only persons who have the full opportunity of passing judgment upon the merits of the productions. Where their competency is at all questioned it is invariably found to be by some disappointed exhibitor, and after the awards have been made.
The awards made by those jurors are the only bonâ fide decision as to the
relative merits of exhibitors' goods, or else the exhibition is a sham, and
the jurors mere actors in a farce. The official list of awards made to
British exhibitors was issued by order of H.R.H. the Prince of Wales, and
published by Messrs. Eyre & Spottiswoode. The awards are placed as follows
(see page 65), Class 13, Musical Instruments : The fact is, however, they judged them of lower order than Messrs. Hopkinson's, and therefore awarded a silver, or second class medal. It is difficult to conceive that in the face of the above facts a firm of Messrs. Brinsmead's standing could put forth a circular which contains the following statement : "We have pleasure in informing you that the highest honours at the Paris Exhibition of last year were gained by us, in addition to the award of gold medal of the National Academy of France, and also the silver medal. The founder of our firm was honoured with the cross of the Legion of Honour." This statement is put forth with the full knowledge that the actual jurors awarded Messrs. Brinsmead & Sons the silver medal only, and had nothing whatever to do with awarding the L'Academie Nationale medal, nor the cross of the Legion of Honour. The members of the music trades and profession have not been slow to deprecate such appropriation of honours not fairly won in competition. It appears to me that, unless exhibitors are content to abide by the decisions of the jurors, the whole principle of international exhibitions is vitiated and destroyed. The Councils did not anticipate that all sorts of outside awards, not gained in open competition, would be tacked on to the legitimate awards, thus misleading the public and detracting from the well-earned honours of the more successful competitors.
Such conduct can therefore only have the effect of rendering high exhibition
honours worthless, and thereby of preventing the most successful competitors
sending their goods to future exhibitions. Most traders know how difficult
it is to deal legally with such cases, and therefore rely upon the honour
and integrity of all exhibitors, and it a great pity to find such qualities
are not strictly observed.
SIR, - The paper war which is being waged between the exhibitors who gained
honours at the Paris Exhibition last year has been raging rather warmly. It
has been suggested that, as Messrs. Hopkinson, with their gold medal, and
Messrs. Brinsmead, with their Legion of Honour, cannot decide between
themselves which firm has the higher award, the following trial should be
made : St. James's Hall should be taken for the performance, by M.
Rubinstein, Dr. Hans Von Bülow, or any other muscular pianist of the "higher
development" school, in order that they may play on the rival instruments
for an allotted time. Whichever piano emerges from the conflict with the
smallest number of broken strings and smashed hammers can then be declared
the victor.
To obtain one of the gold medals was a great honour, but I should scarcely
have thought that any exhibitor would have considered it superior to the
personal distinction of Knight of the Legion of Honour. As a professor of
music, I wish to know if I am correct in telling my pupils that Messrs.
Hopkinson gained the highest honour, and Messrs. Brinsmead the supreme one?
SIR, - In the dispute as to who received the highest honour at the late Paris
Exhibition, there is so much that is vague and unsatisfactory that I trust
you will spare me brief space to discuss the question, so that if possible
the trade may know how the matter really stands. If this is the case, then perhaps, Mr. Editor, we are all as exhibitors to receive this said super highest honour. But in two circulars Messrs. Brinsmead have issued to the trade we are told "that a misconception having been caused by other exhibitors, we have great pleasure in informing you that the highest honours were gained by us...
That in addition to the gold medal of the by National Academy of France, &c.,
the founder, &c., of our great firm, &c., was created Chevalier of the
Legion of Honour, as the following extract, &c., will show... There is but
one class of gold medals for the Exhibition, and the decoration of the cross
of the Legion of Honour constitutes a superior recompense.
Nor do I quite understand what the opinion of the deceased M. Fétis in 1862
and 1867 has to do with the Exhibition of 1878. Are the juries permanent? or
did the juries of 1862 and 1867 prophetically anticipate the great eminence
to which the firm of Brinsmead & Sons would rise, and so then confer this
said Legion of Honour only waiting the grand result ?
The silver medal was their guerdon, because the jury were satisfied Messrs.
Hopkinson's exhibits were superior. The jury having given Messrs. Brinsmead
the second honour, how is it they did, and at the same time did not, alter
their opinion? Because, clearly, if Messrs. Brinsmead won the Legion of
Honour for super excellence, they have no right to the silver medal. As it
stands at present, they get the super highest award and the second-rate
award for the same exhibits.
SIR, - I notice, from the advertisements in your valuable paper, that
Brinsmead and Hopkinson, on different pages, both claim that their
respective firms received the highest honours at the Paris Exhibition last
year, and both caution the trade against advertisements leading to a
contrary conclusion.
Messrs. Hopkinson are in error when they state that "the Legion of Honour
cannot honourably be used for trade purposes." they will refer to the notice
from the French Government to which they allude in their advertisement, they
will see that the decoration may be named "on cards, invoice headings, and
letter-paper," although it is requested that it may not be used in any way
which would lessen the "prestige to which the order has so long and justly
been entitled."
ENGLISH v. FOREIGN PIANOS.
DEAR SIR, - Mr. Hargreaves's reply to my letter of July Ist seems to be on the
principle that "having a bad case, abuse the counsel on the other side." He
insinuates that in my letters I am the mouthpiece of Messrs. Hopkinson.
Allow me to say that this assumption is entirely erroneous, my letters being
the result of my own experience, and that in them
This is language that Mr. Hargreaves may well be ashamed of. The following
foot-note was added by you, Mr. Editor : - "We are neither protectionists
nor believers that English pianos are as bad as Mr. Hargreaves paints them." [It seems to us that this discussion, which, if we recollect rightly, began with an argument about free trade and reciprocity, and developed into oped into a controversy on the respective merits of English and foreign pianos, has somewhat run off the track. May we, with the diffidence of one who is aware of the fate awaiting "those who in quarrels interpose," venture to suggest that the trade and the public care far more for full and temperate discussions of broad questions than for any manifestations of opinion of a purely personal nature?] Music Trades Review, 15/09/1879, p. 4-5
Messrs. J. & J. Hopkinson specially direct attention to their new Boudoir cottages, their new pianettes, which they claim "can be thoroughly relied upon for hard wear," and their new overstrung upright grands." Music Trades Review, 15/09/1883, p. 27
IN THE HIGH COURT OF JUSTICE. - CHANCERY DIVISION.
This mark was claimed as having been used for 13 years before 13th of
August 1875. It is clear that they are not "printed in some particular 40 and distinctive manner within the earlier part of sec. 10 of the Act of 1875, so that the Respondents must rely on the provisions in favour of old marks. It is not a question of printing, it is the word itself which is claimed. Leonard and Ellis v. Wells and Co., 26 Ch. D. 288; and the result is that the right in the name "Hopkinson," so long as the registration remains, is absolute, and that 45 no person of that name can use it in connection with pianos even if he puts other distinguishing marks with it.
Such an attempt to monopolize a name is contrary to the spirit of the
decisions in Burgess v. Burgess, 3 De M. & G. 896, and Turton v. Turton,
42 Ch. D. 128. Those cases show that a man is not to be interfered with
in the honest use of his own name. Consequently, before 50 the Act of
1875, although the Respondents used this name as a trade mark, any other
Hopkinson could do the same, and that prevents the name from being a
special destinctive word. Even if it could be called distinctive, it was
certainly not special. The essence of a trade mark is that it is some "distinctive thing which points out that the goods are the goods of A. B. How "could you point them out to be the goods of A. B. better than by putting A. B's. "name upon them ?" Ainsworth v. Walmsley, L.R. 1 Eq. 518, and Lord Kingsdown's observations in Leather Cloth Co. v. American Leather Cloth Co., 11 H.L. C. 523, 534 show that these marks were good trade marks before the Act. Consequently Messrs. Hopkinson had a right of property in them 10 (McAndrew v. Bassett, 4 De G. J. & S.380), and this Court is being asked to limit the provision in the Act for the protection of old trade mark owners, and to say that the Act has taken away their property. If there was a time that any Hopkinson could put "Hopkinson" on pianos that time was gone (McAndrew v. Bassett), but there is nothing to prevent any Hopkinson from using his name in any honest way.
He can even put it on pianos if he distinguishes it from the Respondent's
marks. The application is in effect that the practice of the registry
for the last 16 years may be reversed, and the Court will be slow to do
that unless the practice is clearly wrong. In Re Hudson's Trade Mark,
Ch. D. 310, at p. 320-1, per Cotton, L.J., 3 R.P.C. 155. According to the authorities, which were well established before 1875, if any other person had sold a piano as "Hopkinson," with that name on it and nothing else, he would undoubtedly have been liable to an injunction, and not the less because his own name was Hopkinson. The Court would have said I apprehend, without the slightest doubt or hesitation, that he might call himself J. Hopkinson, or Hopkinson & Co., or by any other slight addition which would be sufficient to the ordinary buyer to show that he was not Hopkinson of New Bond Street. But it was then a trade mark-a property-apart from the man's name, something which belonged to him, which gave his pianos a vendible character in the market. Then comes the Act of 1875, and from thenceforward a man cannot interfere with the use of what he calls a trade mark, unless it is registered under the Act. He can no doubt still avail himself of his old equitable remedy, now of course pursued in the Queen's Bench Division, and if he can prove that there has been a successful endeavour, or what we used to call a threatening and intending to pass off the goods of the Defendant as the goods of the Plaintiff, then he is still entitled to have an Injunction, but not merely on the ground of the property in the trade mark, which existed before the Act. If the Applicant's view is right, this Act of Parliament stepped in and said that what was the law before the Act should be entirely altered, that what was Messrs. Hopkinsons' right up to the date of the passing of the Act should be taken away, and that they should no longer have that property. Far be it for me to say that it might not be for the public benefit that there 50 should be such legislation, and that Parliament might not have come to that conclusion; but it has frequently been said-and I have no reluctance to say it again-that one does not presume Parliament to have been intentionally unjust, and therefore that is not the conclusion at which I should arrive without plain words. Is there any reason why I should arrive at such a conclusion? The 10th section of the Act of 1875 contemplates that from thenceforward the name of an individual or of a firm might be used as a trade mark, but it provides that it should be "printed, impressed, or woven in some particular and distinctive manner; " but that is only as regards "a trade mark for the purposes of the Act." It does not refer to previous user at all. Then, later on in the same section, it provides that a trade mark may also consist of any special and distinctive word or words, or combination of figures or letters, used as a trade mark before the passing of this Act, and which may be 5 registered as such under the Act. The first observation is that it must be something quite different from "the name of an individual or firm printed, impressed, or woven in some particular and distinctive manner."
It cannot be said that the name of an individual or firm was intended
there, and that only, when those words were used just above, with the
addition which I have mentioned. There must have been something else in
the contemplation of the Legislature there, and I think the something
else is to be found in the phrase "used as a trade mark before the
passing of this Act." That is to say, do they do more than incorporate into the Statutory provisions what had existed before the Act was passed? In order to protect a trade mark before the Act, you were obliged to find, not only that the words were used as a trade mark, but that they were of such a character as may, I think, be fairly termed special and distinctive; that is to say, you were obliged to prove by evidence, and satisfy the Court, that the words used as a trade mark were known in the market, and I think it is Lord Westbury's phrase gave a vendible character to the articles to which they were attached, made those articles recognised as coming from the particular manufactory, and so gave them a character different from that of every other article in the trade. Therefore it seems to me that the Legislature here did no more than adopt the language of the cases, reduce it into a compressed form, and really say that what the Court would have held to be a trade mark independently of the Act, shall now be capable of registration as a trade mark under the Act, provided only that it has been used as a trade mark before the passing of the Act. 30 What is the meaning of "special ?" I think that "special" must be intended to mean that which separates the article to which it is applied from all others of the same class or character; something which points it out as standing alone; which makes the man who sees it or reads it understand that it has a special standing--a special existence that it is not one of the general class, say, of pianos, but that it belongs to a class of a particular character. "Distinctive" is a little different. There I would not hazard my own definition, because I have one to hand in the judgment which has been cited in Richards v. Butcher, where Mr. Justice Kay says : "The essence of a trade "mark is that it is some distinctive thing which points out that the goods are "the goods of A.B." Here we have "Hopkinson." It is quite true that there may be, and are, many Hopkinsons, and no one would contend that under the present legislation you could register "Hopkinson" as a trade mark. Nay, more than that, it must have been extremely difficult-at least it would be now for Messrs. Hopkinson to build up the reputation of their pianos, so that they might be known simply by the name of "Hopkinson." According to what I have been told in this case, it would be now impossible, because there are other Hopkinsons in the trade, and they would not be allowed to do it. There would be competitors which would make it impossible. But that is just where the strength of their case comes in. They established their right to the name "Hopkinson" before others of the clan emulated them, and perhaps they emulated them because of their great success. But having established it, why are they not entitled to keep it? Why are they not entitled to the reputation, and the advantage of the reputation, because somebody else now desires to trade in his own name? By all means let him trade in his own name.
I am not now saying what he may or may not do, but what I do now say is,
that Messrs. Hopkinson having registered this trade mark, and having
proved to my Batisfaction because although the evidence has not been
read it has not been disputed that they used this word for many years
before 1875, and that their pianos were known by this name in that way,
I think they are entitled to retain on the register the trade mark which
they have placed there.
Taking No. 27,235, either it is a trade mark depending on words alone, in
which case it is covered by your Lordship's decision, or else it is a
combination of words and of a device. If it is a combination of words
and of a device, then, although an old mark, it is no more privileged
than a new mark, and the question is, would it be good if it was a new
mark ?
KEKEWICK, J. -That is clearer still, the ellipse.
designed by Leonard Wyburd, executed by Messrs. J. and J. Hopkinson, Ltd., The Studio, Volume 26, 1902, p. 133
Messrs. J. & J. Hopkinson's Cricket & Athletic Club.
Mr. H. Bryson responded and gave many facts and figures not only in connection with cricketing results, but also in connection with the men's prowess in walking, swimming, shooting, running and billiards. He regretted that the club men had not done better when set up against others; but the fact was that Messrs. Hopkinson had had a very busy summer, -the result being that the employees had been worked at full pressure during that period. There was a large number of prizes, the same being distributed by the president Mr. F. Challen in well chosen, encouraging, pithy and often witty remarks. He presented, too, a cricket bat and ball. As before stated, the prize list was a lengthy one; and the speaker told us that, in the shooting matches, Mr. Fleet, junior, had won two prizes. However, as he had mastered nearly all that there was to learn in a piano factory, he had rejoined his father (the well known dealer of Colwyn Bay). The toast of "The Firm" was to have been given by Mr. Louis Bamberger (regrettably unwell); but he had a good substitute in Mr. Herbert Brinsmead (Messrs. J. & J. Goddard), a son of the late ever lamented Mr. Thomas Brinsmead. The speaker eulogised the company on having kept in the front rank of the makers; their output of pianofortes was great and during the past two years exhibition honours had been conferred upon the firm (at Brussels and quite recently le grand prix at Turin). He also congratulated the employees on the happy results obtained, for without their co-operation the house could not have advanced as it had. Mr. Frank Challen responded in a somewhat lengthy speech, in which he stated that he thought it would soon be advisable for piano manufacturers and their employees to consult and put their views together, as to how the expenses of the Insurance Bill were to be met. He knew that some thought "Let the consumer pay." But, he remarked, that was easier said than done. However, he had no doubt but that the workmen and the Hopkinson company would come to an amicable arrangement as hitherto. Mr. John Wood (Messrs. Cramer) responded to "The Visitors." In the course of the evening a deal of capital music was rendered, some of the performers - the solo violinist, alson two of the accompanists - being on the staff of the house." Musical Opinion and Music Trade Review, Volume 35, 01/1912, p. 295
HOPKINSON
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