Brand |
Image |
Info |
Addresses |
|
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WADDINGTON
William Alfred |



Patent of 1854 : "W. A. Waddington,
Stonegate, York — Improvements in the construction of sounding-boards for
pianofortes and other like stringed instruments."
The Civil engineer & architect's journal, Volume
17, 1854, p. 279
Patent of 1863 :
"Waddington. 28th November 1862. - 3187. WILLIAM ALFRED WADDINGTON, of
44, Stonegate, York, Pianoforte Maker, for an invention for Improvements
in machinery for cutting wood. Provisional protection only."
Chronological and Descriptive Index of Patents
Applied for and Patents, 1863, p. 217

BRAND
BREMAR

|
'Pianoforte-maker' since 1835
WADDINGTON
& Sons (??)
End : ca. 1912


DUBLIN -
"313 Waddinqton, W. A. 43 Stonegate, York.—
Oblique pianoforte."
The illustrated record and descriptive catalogue of
the Dublin international exhibition, 1865, p. 241

Exhibitors list
Dublin, 1865 |
43, Stonegate (*1854)(*1865),
44, Stonegate (**1863),
York |
WADDINGTON Brothers |
 |
'Pianoforte-maker'
ca. 1893-1910 |
9, Woodhouse Lane (*1893)(*1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910), Leeds |
WADE J. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 190 6-10
|
Park Lane (*1906)(*1909)(*1910), Leeds |
WADE Richard John |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1893-1919
WADE
R. (*1893)
WADE
Richard John (*1917)(*1918)(*1919)
|
11, Ashdown Street, Haverstock Hill, N.W.
(*1893),
82-84, Queen's Road, Burchell Road
(*1916)(*1917)(*1918)(*1919), 25, Wood's Road, Peckham,
S.E. (*1916)(*1917)(*1918)(*1919), London |
WAGELL A. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1903-10
|
18, Bedford Place (*1903)(*1906)(*1909)(*1910), Brighton |
WAGSTAFF Albert |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1900
|
Manchester |
WAINWRIGHT George Joseph |
 |
'Pianoforte-maker' ca. 1882-93 |
122, Jamaica Road, S.E.
(**1882), 100, Jamaica Road,
Bermondsey, S.E. (**1884)(*1893), London |
WAITE John & Co |
 |
'Pianoforte-manufacturer' ca. 1820-25
WAITE
John & Co
(*1820)
WAITE
John (x1825)
|
116, Crawford Street, Marybone (*1820)(x1825), London |
WAKEFIELD Richard |

Patent of 1771 : " May
2, 1771. — Richard Wakefield. Ivory and metal plectra, and wrest-pins."
The History of the Pianoforte, Edgar Brinsmead,
1879, p. 194 (archive.org)
|
'Musical Instrument
Maker' ? ca. 1771
|
London ? |
WALCOT Ernest |
 |
'Pianoforte-maker' ca. 1882-1910 |
34, Finchley Road, St. John's Wood, N.W.
(**1882)(**1891)(*1907)(*1909)(*1910), 21, Circus Road, N.W. (**1895), London |
WALDECK C. & Co |
 |
'Pianoforte-maker' ca. 1914 |
11, Hills Place, Oxford Street, W. (*1914), London |
WALDEMAR PIANO Co (THE) |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1895
See

THE WALDEMAR PIANO Co
|
London |
WALDNER |
 |
'Pianoforte-maker' ca.
?? |
London ? |
WALES
John |
 |
'Pianoforte-maker' ca. 1818-43
WALES
John & Co
(*1818)(*1820)(x1825)(**1841)(x1842)(*1843)
|
41, Foley Street, Portland Place (*1818)(*1820)(*1823)(x1825)(**1841)(x1842)(*1843), London |
WALES
Robert |

Upright
pianoforte 'Giraffe' ca. 1820-30, Museo de Romanticismo, Madrid, Spain


"UNA-CORDA, PATENT SELF-ADJUSTING PIANO-FORTE. - R.
Wales, 33, Charles-street, Hampstcad Road, near the end of
Tottenham-court-road, Inventor and Manufacturer of the above unique
Instrument, solicits the attention of the Musical Profession and the Public
in general. The Una-Corda Piano-Forte is strung throughout with steel-wire,
by which an equal temperament is preserved; and having only one string to
each note, the insufferable discordance, occasioned by bad unisons, is
entirely removed. It possesses a quality of tone superior in strength and
sweetness to Piano-Fortes manufactured on the old principle ; it is found to
stand years in tune; the strings are not liable to break, on account of
their thickness and strength. Added to which, the tuning pins, being
perforated strings, may be put on by the most delicate hand. R. W.
manufactures also, on the lowest terms, Cabinet, Grand, and Square
Piano-Fortes on the most approved principles."
The Harmonicon, William Ayrton, 02/1827,
p. 90

" PIANO-FORTES - NOT REQUIRING TO BE TUNED. -
Grand, Cabinet, Square, and Vocalist Piano-fortes, of the Una-Corda (or
Mono-chord) Patent Spring, Self-adjusting mode, may be procured at the
Patentee's Manufactory,
R. WALES, 33, CHARLES STREET, Opposite the Reservoir, end of Tottenham Court
Road, At Prices much below those made on the Old Construction, and will be
found to stand in tune from One to Eight Years; the Inventor solicits the
inspection of the Musical World, and persons about to purchase, to these
highly-esteemed Piano-fortes, N.B. Old Instruments taken in Exchange."
The Harmonicon, 04/1830, p. 258
|
'Pianoforte-maker' since 1810
Worked in the years 1841-43 for
HEWIIT Daniel Chandler (***1843)


(continuation)
"PIANO-FORTES - CONSTRUCTED SO AS TO KEEP IN TUNE FOR YEARS. R. WALES -
Returns his best thanks to the Nobility, Gentry, and the Public, for the
patronage he has received for many years, and begs to inform them he has
opened an EXTENSIVE WAREHOUSE, No. 11, RED LION Square, HOLBORN, for the
SALE of his highly-approved INSTRUMENTS, on the Patent Spring Una-Corda (or
Monochord) self-adjusting principles, in Grands, Cabinets, Cottages,
Vocalists, and Squares, which will be found worthy of attention. Manufactory
as usual, 33, Charles Street, Hampstead Road, established 1810."
The Harmonicon, William Ayrton, 06/1830,
p. 267

" WALES'S NEW PATENT
QUADRILATERAL GRAND PIANO-FORTE. - R. WALES, Inventor and Manufacturer of
the Patent Spring Una-corda Self-adjusting Piano-forte, respectfully invites
the Musical Profession, Amateurs, and the Patrons of Art in general, to the
inspection of a Square Piano-forte upon an entirely novel principle,
embracing all the advantages in tone and action of a Grand Piano, and
obviating, by the extreme compactness and elegance of its construction, the
objection to which the clumsy and unaccommodating form of the Horizontal
Grand Piano-forte has hitherto been subject. R. Walks lias been for some
years engaged in the construction of this Square Instrument upon the Grand
principle—an object, till now, considered unattainable; and in the confident
anticipation of Public Patronage, submits it to general inspection at his
Ware Rooms, No. 11, Red Lion Square, Holborn."
The Harmonicon, William Ayrton, 07/1830,
p. 271
|
11, Red Lion Square, Holborn (1830), 33, Charles Street, Hampstead
Road
(x1825)(**1827)(*1830)(**1841)(*1843), Gress Street Rathbone
Place (***1843), London |
WALKER Adam |

Patent of 1772 : " Aug.
29, 1772. — Adam Walker. The Celestina, in which the catgut strings are
vibrated by circulating bands of silk, etc."
The History of the Pianoforte, Edgar Brinsmead,
1879, p. 194 (archive.org)
|
'Musical Instrument
Maker' ? ca. 1772
|
London ? |
WALKER Daniel |
 |
'Harpsichord Maker'
ca. 1793 |
9, Great Pulteney Street (**1793), London
|
WALKER
Edward Leskey |

Patent of 1845 : "1845. Edward Lesley Walker, of Foley
Place, professor of music, for improvements in pianofortes. (Oct 10.)"
Mechanics Magazine, Volume 43, 1845, p.
288
|
'Professor of music' ca. 1845 |
Foley Place (*1845), London |
WALKER George |
 |
Pianoforte-maker and/or pianoforte dealer and 'publisher of books &
Music' ca. 1814-22 |
106, Great Portland Street
(*1814),
105, Great Portland Street
(**1822), London |
WALKER John |
 |
'Pianoforte-maker'
ca. 1834 |
57, Wellington Street (x1834), Leeds
|
WALKER Richard Theodore |
 |
'Pianoforte-maker'
ca. 1841-52
"In the Queen's prison",
The Jurist, 04/10/1845, p. 398 |
2,
Portsmouth Place, [Lower] Kennington Lane, Surrey (**1841)(x1842),
1, Portsmouth Place, Kennington Lane, Surrey
(1845), 6, York Row,
Kennington Road
(**1852), London
|
WALKER Samuel |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1893-1910 |
37, Lowerhead Row (*1893), 26-30, Merrion
Street
(*1895)(*1897)(*1906)(*1909)(*1910), Leeds
|
WALKER Samuel |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1893-1910 |
92-100, Leeds Road
(*1893)(*1895)(*1897)(*1903)(*1906)(*1909)(*1910), Bradford |
WALKER
Thomas |
 |
'Pianoforte-maker' ca. 1787-1846 |
38, Lime Street (xx1818), [47], Limestreet
(*1824)(**1828)(***1829), [54], Lime Street (**1829)(*1833)(**1837), 39, Renshaw Street (*1837), 21, Luece Street
(*1846), Liverpool
|
WALLACE Thomas |
 |
'Gun maker and Musical Instrument-maker' ca. 1811 |
New Street (*1811), Wigton, Cumberland |
WALLINGFORD |
 |
'Pianoforte-maker' ca. 1900 |
London |
WALLIS Joseph |
 |
'Pianoforte-maker' since 1848
WALLIS
Joseph (**1870)(**1882)
WALLIS Joseph & Son
Ltd.
(**1891)(**1895)(*1914)(*1915)
WALLIS Joseph & Sons
Ltd.
(*1916)(*1917)(*1918)(*1919)
|
135, Euston Road, N.W. (**1870), 134-135,
Euston Road, N.W. (**1882),
133-135, Euston Road,
N.W. (**1891)(**1895)(*1914)(*1915),
Factory : 50, Isledon Road and Thane Villas, Holloway, N.
(*1914),
53b, Carysfort
Road, Stoke Newington, N.
(*1915)(*1916)(*1917)(*1918)(*1919),
London |
WALTER Brothers |
 |
Pianoforte-maker and/or pianoforte dealer
and pianoforte importers ca. 1884-1919 |
7-8, Railway Approuch, [London Bridge], S.E.
(**1884)(**1891)(**1895), 897, Fulham Road, S.W.
(*1916)(*1917)(*1918)(*1919), London |
WALTER William |
 |
'Pianoforte-maker' ca. 1841-42 |
119, Great Russell Street, Bloomsbury
(**1841)(x1842), London |
WALTER William |
 |
'Pianoforte-maker' ca. 1852-1910
WALTER
William Junior (**1852)(**1882)(**1884)

Exhibition
List London, 1872 |
29, Charlotte Street, Fitzroy Square, W.
(**1852), 70, Charlotte Street, Fitzroy Square, W.
(**1870)(**1882)(**1884)(**1891)(*1893)(*1895)(**1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910), London |
WALTON Emanuel |
 |
'Pianoforte-maker' ca. 1837 |
South Parade
(*1837), Leeds |
WALTON Humphrey |

Patent of 1787 : " May
25, 1787. — Humphrey Walton, (1) Pedal for causing the grand hammer to
strike one, two, or three strings ; the hammers striking perpendicular
hammers which strike the wires. ... (2) The touch is regulated according
to the fancy of the player, from the deepest to the most delicate [by] a
regulating touch frame, inserted between the balance rail and the back
rail of the key-frame."
The History of the Pianoforte, Edgar Brinsmead,
1879, p. 195 (archive.org)
|
'Pianoforte-maker' ca. 1787 |
London |
WALTON Samuel |
 |
'Pianoforte-maker' ca. 1834 |
13, Park Row
(x1834), Leeds |
WANSELL
James |
 |
'Pianoforte-maker' ca. 1841-43 |
20, Howland Street, Fitzroy Square
(**1841)(*1843), London |
WARBOYS Thomas George |
 |
'Pianoforte-maker' and pianoforte dealer ca. 1874-1919 |
Stroud Green Road, N. (**1874), 5, Athelstane ter, Stroud gn. (*1893),
69,
Stroud Green Road, N. (*1917)(*1918)(*1919),
London |
WARD Henry |




Upright pianoforte ca. 1865
,
Thomas Winter, San Francisco, California,
U.S.


LONDON -
"8446 Ward, H. 100, Gt.
Russell - St. Bloomsbury. — Piano."
International exhibition, 1862 : Official catalogue of
the industrial department, 1862, p. 54
|
'Pianoforte-maker'
since 1849
WARD
& Sons (x1890)
End : ca. 1941


(la suite)
LONDON - "Ward, Henry, 100
Great Russell Street, Bloomsbury, London, W. C. - Pianofortes of improved
construction , iron framed, vertical and overstrung, grand cottages and
pianettes."
Official Catalogue, 1885, p. 317

Exhibitors
List London, 1862 | Exhibition List London, 1872 | Exhibition List
London, 1885 | Bronze medal Paris, 1889 |
70, Great Russell Street, Bloomsbury, W.C. (**1852),
100, Great Russell Street, Bloomsbury, W.C. (*1862)(**1882)(**1884)(*1885)(**1891)(*1895)(**1895)(*1897)(*1899)(*1903),
Miller Street, Camden Town, N.W. (**1891)(**1895), 60, Arlington Road, Camden Town, N.W.
(**1882)(**1884),
44, Arlington Road,
N.W.
(**1891)(**1895)(*1906)(*1909), London |
WARD John Charles |

PARIS -
"Ward, John Charles; Inventeur; The Retreat, 24, Maverstock Hill, London.
Pianos brevetés, nouveau système et de nouvelle disposition intérieurement
et extérieurement."
Catalogue officiel de la section anglaise, 1878,
p. 67 (archive.org)
|
'Pianoforte-maker' ca. 1878

Exhibitors
List Paris, 1878 |
The Retreat, 24, Maverstock Hill (**1878), London |
WARD Thomas |
 |
'Pianoforte-maker' ca. 1895
Manager director of the
LONDON MUSIC PUBLISHING Co |
7, Great Marlborugh Street, W. (**1891)(**1895), London |
WAREHAM Laurence |
 |
'Pianoforte-maker' and pianoforte-silker ca. 1841-52
WAREHAM
Jane (**1852) 'Pianoforte-silker'
|
18, Upper Rathbone Place (**1841)(x1842), 39,
Upper Rathbone Place (**1852), London |
WARING J. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1822 |
51, Exmouth Street, Spa Fields
(**1822), London |
WARNE
George |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1842 |
Prince's Street (*1842), Norwich |
WARNE
J. C. & Co |
 |
'Pianoforte-maker' ca. 1914-15 |
142, Wardour Street, W.
(*1914)(*1915), London |
WARNE
Reuben |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1842 |
Corner of Little London, Pottergate Street
(*1842), Norwich |
WARNE W. W. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1901-10 |
216, Selhurst Road, S.N. (**1901)(*1907)(*1909)(*1910), London |
WARNER Thomas |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1891 |
67, Camberwell Road, S.E. (**1891), London |
WARREL & Co |
 |
'Pianoforte-maker' ca. 1815 |
London |
WARREN, ELLETT & Co |
 |
'Pianoforte-manufacturers' ca. 1852
See also
ELLETT |
5 & 7, Hoxton Old tn. (**1852), London |
WARREN
George |
 |
'Pianoforte-maker' ca. 1841-52 |
[Belgrave Place], Wandsworth Road (**1841)(x1842),
23, Chichester Place, Wandsworth Road (**1852),
London
|
WARREN
James
|

1848 -
"Court for relief of insolvent debtors. [...]
On Thursday the 10th February 1848, at Ten o'Clock precisely, before the
Chief Commissioner [...] James Warren, late of No. 20, Windsor-street,
City-road, Saint Leonard's, Shoreditch, Middlesex, and previously of No. 22,
Windsor-street aforesaid, Piano Forte Maker."
The London Gazette for the year 1848, p.
276
|
'Pianoforte-maker' ca. 1848 |
London |
WARREN
John


Image of a pianoforte
in an advertisement in 1847,
The Musical World, Volume 22, 1847, p. 402 |

"Warren's 20 Guinea Cottage Piano-Fortes. -
ARE NOW SELLING AT THE Manufactory, 71, Leadenhall Street - (Removed from 1
and 2, Liverpool Street, Bishopsgate Street.) - These Instruments are well
manufactured of the best seasoned wood, FINE FULL TONE AND GOOD TOUCH. A two
vears warranty given with each instrument. ESTABLISHED TWENTY-ONE YEARS. The
only house in London where a good sound instrument can be obtained at the
above low price, (for cash only). SMALL PROFIT AND QUICK RETURNS ! JOHN
WARREN, 71, Leadenhall St., opposite Aldeate Pomp."
The Musical World, Volume 22, 1847, p. 402
"Cheap Pianoforte.—Cheapness is extending,
like a new sunrise, over all the branches of the arts cud sciences. We paid
a visit, last week, to Warren's Pianoforte Manufactory, Leadenhall Street,
and were much surprised to find a capital new instrument, purchaseable at
twenty guineas. We also saw some Piccolos, very superiorly made, at eighteen
guineas. This is cheapness with a vengeance, and must ensure an
extraordinary sale. We should like to know whence Mr. Warren's profits can
come. Pianofortes new, and really good, at the above prices, is a type of
the present antimonopolizing times, when men will sacrifice themselves to
outdo their neighbours. We hope Mr. Warren does make a profit."
The Musical World, 29/05/1847, p. 352 |
'Pianoforte-maker' ca. 1826-47


1842 -
"Insolvent
debtors [...] John Warren,
formerly of Bishopsgate-street Within, then of Liverpool-street,
Bishopsgate-street Without, London, carrying on business at White's-row,
Spitalfields, Middlesex, then of Lewisham-hill, Greenwich, Kent, afterwards
of Mare-street, Hackney, then of Church-street, Edmonton, both in Middlesex,
carrying on business at Liverpool-street, Bishopsgate-street Without, and
also at White's-row, Spitalfields aforesaid, then of Liverpoolstreet,
Bishopsgate-street, London aforesaid, afterwards of Grosvenor-place,
Camberwell New-road, carrying on business at Bridge-house-place,
Newington-causeway, and at Rockingham-house, New Kent-road, and lastly of
No. 12, Grosvenor-place, Cannberwell New-road aforesaid, all in Surrey,
Piano Forte Maker."
The London Gazette, 28/10/1842, p. 2996
"John Warren, late of No. 12,
Grosvenor-place, Camberwell, New-road, Surrey, Piano Forte Maker. - In the
Debtors Prison for London and Middlesex."
The London Gazette, 09/08/1842, p. 2180
|
1, Liverpool Street, Bishopsgate Street
(**1841)(x1842), 52, Bridge House Place, Newington causaway (x1842),
Rockingham House, New Kent Road (x1842), 1-2, Liverpool Street, Bishopsgate Street
(before 1847), 71, Leadenhall Street, opposite Aldeate Pomp (*1847), London |
WARREN
John |

|
'Pianoforte-maker' ca. 1865 |
4, Windmill Street (xx1865), Gravesend, Kent |
WARREN
M. A. |
IMAGE
Image of a patent of a piano with a monitor
|
'Pianoforte-maker' ca. 1840 |
London |
WARSCHAUWER Sidney |
 |
'Pianoforte-maker' ca. 1914-15 |
52a, Bow Lane, E.C. (*1914)(*1915), London |
WARTH Johan |
 |
'Pianoforte-maker' ca. 1700 |
London |
WARWICK Joseph |
 |
'Pianoforte-makers' ca. 1882-97
WARWICK
Joseph & Son
(**1882)(**1891)
WARWICK Brothers
(*1895)(**1895)(*1897)
WARWICK PIANO Co
(*1897), established by
T. J. HICKLEY & Son
|
Alpha Place, Caledonian Road, N. (**1882),
10a, Caledonian Street, York Road, N. (**1891)(**1895),
10, Alpha Place, Caledonian Road, N.
(*1895)(*1897), London |
WATKINS Thomas & George |
 |
'Pianoforte-maker' since 1906 |
3; The Grange, Parkhill Road, Haverstock
Hill, N.W. (*1914)(*1915), London |
WATLEN Alexander Ramsey
| WATLIN |


WATLEN
& CHALLEN
Square
pianoforte n° 966 ca. ?, Present owner Robert G. Turner, Honley Park, NSW,
Australia
Square
pianoforte ca. ??, Bill Kibby Collection, England, U.K.

WATLEN Alex.
Square
pianoforte ca. 1835, Previous owner Robert G. Turner, Honley Park, NSW,
Australia, now on auction
 |
Pianoforte-maker and/or pianoforte dealer ca. 1 828-37
Son of John WATLIN [WATLEN], here beneath
WATLEN
& CHALLEN (***1837)
1837 -
"Notice is hereby given,
that the Copartnership carried on between us the undersigned, Alexander
Ramsay WATLEN and William CHALLEN, Piano Forte, Manufacturers, at Great
Titchfield Street, on the county of Middlesex, under the name and firm
of Watlen and Challen, was this day dissolved by mutual consent. All
persons having any claims or demands upon the said copartnership are
requested forthwith to send the particulars of such accounts to the said
William Challen, in order that the same may be examined and discharged ;
and all persons who stand indebted to the said copartnership are desired
to pay their respective debts, when due, to the said William Challen,
who is authorised to receive the same, and by whom the said business
will continue to be carried on.Dated the 13th day of June 1837."
The London Gazette, 16/06/1837, p.
1537, see also
William CHALLEN
|
106, New Bond Street (18??), Great Titchfield Street,
Middlesex (***1837),
London |
WATLIN John
| WATLEN |



 Square
pianoforte ca. 1814-15, Bartoccini Collection, Italy
Cabinet
pianoforte ca. 1816, Present owner Perth’s Edith Cowan
University, Perth, Australia


"MUSIC
TAUGHT ON A NEW AND SUPERIOR PRINCIPLE. - To grown-up Ladies and
Gentlemen, and the Puhlir in general. — Mr WATLEN, Leicester place,
Leicester square, Composer of the celehrated Battle of Trafalgar, hi ;
The Surrender of Toulon, 4s.; The Lord's Prayer, 2-;.; My Mother, 1s.
6d.; and He's dear, dear to me, as sung by Miss Duncan, &c. &c. gives
Lessons in Singing, and on the Piano Forte, to grown up Ladies and
Gentlemen in particular, who had not an opportunity of learning before;
the utmost secresy (if required) maybe depended on. He finds from
experience that his method, which is quite new, will enable the pupil to
play tolerable well in sixteen lessons, though they may not have learnt
before. His Gamut for Singing is new, and particularly adapted for the
voice. He has entirely laid aside the Italian Gamut, as being de
trimental to the voice, in female voices particularly. N. B. Mr. Watlen
keeps a few of the very best Grand and Square Piano-Fortes, Harps, &c.
at his house, by all the most esteemed makers, at fifteen per cent,
under the shop, price; of which the public has already profited by his
having already selected some hundreds for their use."
Belle Assemblée: Or, Court and Fashionable
Magazine, 11/1807, p. 29

"PIANO
FORTES. One, with Additional Keys, by Broadwood and Sons, price 18
Guineas. A Grand Horizontal Piano Forte, with six Octaves, price only 18
Guineas, the property of a Person of Distinction; and one with
additional Keys, Pilarlegs, inside Desk, Double Action, as good as new,
price 15 Guineas.- May be seen at John Watlen's, No. 5, Leicesterplace,
where the Patent Oblique and Cabinet Piano Fortes, so highly esteemed,
are made and furnished by the Inventor, and cannot be had any where
else."
The Antigallican Monitor and Anti-Corsican
Chronicle, 16/07/1814, p. 10

"CABINET PIANO-FORTE, with two pedals,
silk front, complete, a solid good Instrument, with the new shifting
movement so much approved of, shop price 60 guineas, for 38 guineas. — Also
a Square Piano-forte, with three drawers, by Tomkison, 28 guineas, cost 36
guineas; Do. at 25 guineas; Do. at 15 guineas; a Horizontal Grand, at -15
guineas. — May be seen by day-light, at Mr. Watlen's, No. 13,
Leicester-place. — Also his new improved Patent Oblique Piano-forte, so
justly admired by every one for its touch and tone, convenient form and
price."
Morning Chronicle Newspaper Archives, Thursday, July
02, 1818, p. 1 (newspaperarchive.com)
|
Pianoforte-maker and/or pianoforte dealer
ca. 1800-30
"[...] Mr. John Watlen, musician and
music-seller, formerly in Edinburgh, now in London [...]"
Songs of Scotland, 1848, p. 11
(archive.org)
COBB
Thomas & WATLEN John (1800-06)(**1804),
as music publishers
1802 - "“The Lord’s Prayer.” Set to
Music by John Watlen, Professor of the Piano-forte. A seasonable present to
youth of either sex. Mr. Waten has been a Lieutenant in the Navy, and is now
settled in London respectably as a Composer and Teacher of Music. We have
observed various Rondos, founded on Scottish Airs, of this Gentleman's
composition, lively and playful, though not very profound. By saying so, we
do not mean to depreciate. In light compositions, consisteney and facility
may be preferable to laboured and extraneous nodulation."
The Monthly Mirror: Reflecting Men and Manners: With
Strictures ..., 1802, p. 58
COBB Thomas
(from 1807)
'Organ-manufactory' (*1814), 'Pianoforte-maker' (*1816)(*1818),
'Pianoforte Manufactory' (**1827)
1820 -
"Mariages [...] April 5. Capt. James Clemons, Esq., of the Hon. Company's
Madras Establishment, to Eliza. youngest daughter of J. Watlen, Esq. of
Leicester-fields."
Asiatic Journal, 1820, p. 525
Bankrupt in 1827,
Blackwood's Edinburgh Magazine, Volume 22, 1827,
p. 262 or "Watlen John,
Leicester place, Leicester square, pianoforte manuf., May 25, 1827."
The Bankrupt Directory: Being a Complete Register of
All the Bankrupts, with ..., George Elwick, 1843,
p. 433 and see also
The London Gazette, 1827, p. 1001
WATLEN
John & Alexander Ramsay WATLEN [WATLIN]
(**1830)
1829-30
-"Partnerships dissolved, Gazette January 1, 1830 [...] WATLEN John, and
Alexander Ramsay Watlen, No. 28, Leicestersquare, piano-forte maker Dec. 24,
1829."
The Law Advertiser, Volume 8, 1830, p. 34
- "December 24, 1829. JOHN WATLEN and Alexander Ramsay Watlen,
PianoForte-Makers, No. 28, Leicester-Square, do hereby give notice, that by
mutual consent, they have this day dissolved their Partnership. John Watlen.
- Alexander Ramsay Watlen."
The London Gazette, 01/01/1830, p. 9
- See Alexander Ramsey WATLEN here
above.

SEE ALSO ...
... this
JOHN WATLEN in Edinburgh in 1794
|
Edinburgh, Scotland

[19], Tavistock Street, Covent Garden
(1800-05)(**1804), 186, Piccadilly (1805-06), 5, Leicester Place, Leicester Square
(from 1807 (6))(**1807)(**1809)(*1814)(*1816)(*1817)(*1818), 13, Leicester Place, Leicester Square (*1820)(*1823)(x1825)(*1827),
28, Leicester Square (**1830), London |
WATSON John |
 |
'Pianoforte-maker' ca. 1841-42 |
28, Dover Place, New Kent Road (**1841)(x1842),
London |
WATSON Samuel |
 |
'Pianoforte-maker' ca. 1882-95 |
62, Jamaica Road, Bermondsey, S.E. (**1882)(**1891)(**1895),
London |
WATTS George |
 |
'Pianoforte-maker' ca. 1825 |
52, Queen Street, Bryan Street Square (x1825),
London |
WATTS Rd. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1822 |
87, Blackman Street, Borough
(**1822), London |
WATTS & Sons |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1900-10
|
1, St. Michael Park (*1903)(*1906)(*1909)(*1910), Bristol |
WATTS Thomas |
 |
'Pianoforte-maker' ca. 1882 |
17, River Street, Pentonville, E.C. (**1882),
London |
WATTS William Shepherd |
 |
'Pianoforte-maker' ca. 1914-15 |
23, Piercefield Street, Haverstock, N.W. (*1914)(*1915),
London |
WAY George Edgar |

Patent of 1864-65 :
"A.D. 1865, June 15. — N°
1623. Way, George Edgar. — (A communication from Maurice Vergnes.) —
Improvements in the manufacture of pianofortes. These improvements have
reference to two former inventions, for which see Abridgments dated
respectively April 20th, 1864, No. 992, and July 4th, 1864, No. 1662 : By
the present improvements a good length of string is obtained for square
pianofortes, while the width of the case is little more than the length of
the key-board; a good repetition action is also secured, and a simple means
of adjusting the touch is provided. The strings are carried by an open
rectangular metal frame, in which the wrest planks are fixed. Beneath the
frame is the sound board of a rectangular form to fill the space enclosed by
the case or nearly so. The bridge for the middle and treble strings extends
in a curved line from the further left-hand corner of the sound board to the
right-hand side of the instrument near the treble wrest plank, and the lower
bass strings cross the other strings at a sufficient height to be clear of
the bridge;
|
'Pianoforte-maker' ? ca.
1864-65


(continuation)
they pass from the near left corner of
the frame to a short bridge at the further right corner of the frame and
thence to a wrest plank. In the improved action, the hammer is held up
by a spring connected to the butt, and when at its highest position it
bears against the under side of the key; it is acted on by a hopper
which is jointed to a piece fixed to the under side of the key. This
piece carries also a bracket, which serves as a guide for a screw pin
and adjusting button projecting horizontally from the back of the
hopper. Projecting from the back rail is a bracket, to which is jointed
a padded back check held in a perpendicular position by a small spring;
an arm of the check carries a screw pin, at the upper end of which is a
button coming into contact with a pad on the under side of the key. In
order to lift the key to its normal position its rear end is connected
by a cord to a metal spring mounted on the back rail."
Patents for Inventions: Abridgments of
Specifications Relating to Paints ..., 1871, p. 447
|
London ?? |
WEBB Alfred |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1884
Successor to F. J. UPJOHN
|
5, Chesterfield Street (**1884), Weymouth |
WEBB Alfred |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1884
|
High Street (**1884), at Weymouth (**1884),
Poole, Dorset |
WEBB
Charles John |
|
'Pianoforte-maker' ca. 1852
|
142, Leadenhall
Street (**1852), London |
WEBB
George & Alfred |
 |
'Pianoforte-maker' ca. 1884-1901
|
99,
North End, Croydon (**1884)77, George Street (**1884),
19, North End, Croydon
(**1896)(**1901), Priddy's Yard, Croydon (**1896), London
|
WEBB
Samuel Henry |
 |
Pianoforte-maker and/or pianoforte dealer and Music Publisher
ca. 1852
|
33, Soho Square (**1852), 15,
Southampton Street, Strand (**1852), London |
WEBBER R. |
 |
'Pianoforte-maker' ca. 1842 |
39, Drummond Street, Euston Square (x1842), London |
WEBBER Richard |
 |
'Pianoforte-maker' ca. 1842 |
45, Whittlebury Street, Euston Square (x1842), London |
WEBER
Ferdinand |


Harpsichord
ca. 1 746,
The Cobbe Piano Collection, Surrey, England, U.K.

|
'Harpsichord-maker' ca. 1746

SEE ALSO ...
WEBER Ferdinand in Dublin, Ireland
|
London

Dublin, Ireland |
WEBER |


|

BRAND
American branch of a brand made by
THE AEOLIAN COMPAGNY,
in Hayes, Middlesex

|
London |
WEBLEY
Alexander |



Square
pianoforte ca. 1800, Maxime Schleyer Collection, Germany

|
'Harp & Pianoforte-maker', Musical instrument maker, music seller and
publisher ca. 1800-1817
1797 -
"Alexander Webley, 11 Welbeck
Street, chandler and dealer in coals. Date: 24 August 1797." (London
Metropolitan Archives: City of London, not available at The
National Archives) |
11, Welbeck Street, Cavendish Square
(1797)(*1814)(*1817), London |
WEEKES & Co |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1906-10 |
14, Hanover Street, Regent Street, W.
(*1906)(*1907)(*1910), London |
WEEKLEY Arthur |
 |
'Pianoforte-maker' ca.
1871-1918 |
4, Maidenstone Terrace (1871)
(4), 57, South Street, Greenwich, S.E.
(**1896)(**1901),
67, South Street, Greenwich, S.E.
(**1904),
147, Greenwich Road, S.E.
(*1916)(*1917)(*1918), London
|
WEIMAR
C. |
 |
Pianoforte-maker and/or pianoforte dealer ca. ??
|
London ? |
WELLER & Co |
 |
Pianoforte-maker and/or pianoforte dealer ca. ??
Successor of
BLAND Anne &
WELLER E. since ca. 1820
|
London |
WELLS
George |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1895
|
94, Hackney Road, N.E.
(**1895),
61, Gore Road, South Hackney
(19??), London |
WELMAR |
 |

BRAND
Pianos made by WHELPDALE, MAXWELL &
CODD (1934), on this page.
Pianos made by BRITISH
PIANOMANUFACTURING & Co -
STROUD (2000)
End : ca. 2003

|
London |
WELPALE |
 |
'Pianoforte-maker' ca. 1876-1900
|
London |
WENTWORTH Justin |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1914-15
|
29, Gibson Square, N. (*1914(*1915)), London |
WERNAM William George |
 |
'Pianoforte-maker' ca. 1893-1919 |
65, Harmood Street, Kentish Town
(*1895)(**1895)(*1899), 65, Shaftsbury Street, New Northard
(*1893)(*1897),
[51a], Grayling Road, Stoke Newington, N.
(**1904)(*1906)(*1909),
65, Harwood Street (*1910), 49b, Grayling Road, Stoke Newington, N. (*1916)(*1917)(*1918)(*1919),
London
|
WESSON Daniel |

Patent of 1860 :
"Wesson. 10th February 1860. - 366. Daniel Wesson, of No. 7, Granby
Street, Hampstead Road, in the County of Middlesex, Pianoforte Manufacturer,
for an invention for Improvements in the manufacture of piano-fortes, ...
Provisional protection only.
Chronological and Descriptive Index of Patents Applied
for and Patents, 1861, p. 27 |
'Pianoforte-manufacturer' ca. 1860 |
7, Granby Street, Hampstead Road (*1861), Middlesex,
London |
WESTERN Thomas |


Square
pianoforte from before 1794, Metropoltian Museum of Art, New
York, U.S.
Square
pianoforte ca. 1797-99, Streling Graydon, Beaufort, S.C., U.S.

|
'Pianoforte-maker' ca. 1790-1819
Moved to the U.S. in 1794. (2) |
London |
WEST GREEN PIANO WORKS |
 |
'Pianoforte-maker' ca. ?? |
London |
WESTON John |
 |
'Pianoforte-maker' ca. 1871
ROGERS
David & WESTON John
(**1871) -
see also
ROGERS David
|
32a, William Street, N.W (**1871),
London |
WESTON S. & Co |

|
'Pianoforte-maker' ca. 1914-15
|
73, Maiden road, S.W.
(*1914)(*1915),
London |
WHEATLAND Edwin & Sons |
 |
'Pianoforte-maker' since 1864 |
413, 415 & 417, Harrow Road, W. (*1914), London |
WHEATLEY Kirk |

Patent of 1836 : "May 14, 1836. — Wheatley Kirk. Double
soundingboard and complete metallic framing or support."
The History of the Pianoforte, Edgar Brinsmead, 1879,
p. 205 (archive.org)
|
'Pianoforte-maker' ca. 1836-37
Bankrupt on 13th June 1837,
The Bankrupt Directory; Being a Complete Register of
All the Bankrupts from ..., 1843, p. 243


"Kirk Wheatley, vict. Harrison's
Arms, Harrison st. and patent piano forte manufacturer, Little Woodhouse."
History, gazetteer, and directory, of the west-riding
of Yorkshire, with the ..., 1837, p. 578 |
26, Commercial Street (x1834), [Little] Woodhouse
Lane (*1837)(x1837), Leeds, Yorkshire |
WHEATSONE & Co |
 |
Pianoforte-makers and/or pianoforte dealers and publishers ca. 1822 |
436, Strand
(**1822), London |
WHEATSTONE Charles |

"Wheatstone's Ten Guinea
Harmonium, manufactured expressly for churches, chapels, schools, &c., is
made on a greatly-Improved construction, combines all the latest
Improvements, and is manufactured solely by them. It has the compass of five
octaves, an expression stop, and possesses a powerful rich quality of tone,
answers with the greatest rapidity to the touch, and can be produced loud or
soft at pleasure. It has a substantial oak case, can be warranted in every
respect, and is indispensable to the school-room, singing-class, etc. The
Ten Guinea Harmonium will be taken in exchange for any more expensive ones
at full price if required. The more expensive Harmoniums, with from three to
ten stops, range from 16 to 30 guineas. They are equally adapted to the
church or drawing-room. For the former, it will be found most valuable, and
in many respects preferable to the organ. Messrs. WHEATSTONE obtained the
only Great Exhibition Prize for Harmoniums in 1851.The MECHANICAL and FINGER
HARMONIUM, which can be used mechanically or not, without any preparation.
This is a perfectly new invention of Messrs. Wheatstone and Co., and can be
aeen only at their warerooms. This instrument will be found to be
particularly useful when the Harmonium performer cannot always attend. The
PIANO HARMONIUM is made expressly for playing by the same performer with tho
Pianoforte. Price Twelve Guineas. Messrs. WHEATSTONE and CO., have Just
received a large assortment of the ALEXANDRE HARMONIUM, for which Messrs.
Alexandre et Flls received the French medal of honour. Including the
different Instruments with and without the percussion action, and that with
the expression a la main, at reduced prices. These Harmoniums have been
brought to the greatest perfection, and are equally adapted as an
accompaniment to the voice or pianoforte, and have been pronounced the best
by Adam, Auber, Liszt, Rossini, Thalberg. &c. Also the SIX GUINEA HARMONIUM,
or rather Seraphlne, with 4 octaves, suitable for Sunday-schools and small
Binging-classes. WHEATSTONE and CO., 20, Conduit-street, Regent-street,
London."
Journal of the Society of Arts, Volume 5, 1857,
p. 284 |
'Pianoforte-maker' ? and publishers ca. 1836-59
WHEATSTONE
& Co
(*1857)


Patent of 1836 : "July
27, 1836. — Charles Wheatstone. Continuous sounds produced from pianoforte
strings or springs, by means of currents of air which pass through apertures
slightly wider than the body the air vibrates."
The History of the Pianoforte, Edgar Brinsmead, 1879,
p. 205 (archive.org) - or - "A.D. 1836, July 27. — N° 7164. WHEATSTONE,
Charles, and GREEN, John. — A new method or methods of forming musical
instruments in which "continuous sounds are produced from strings, wires, or
springs.
1.
In this method of forming musical instruments continuous sounds are produced
from strings, wires, or springs (stretched between fixed supports at their
ends) "by means of a current of "air, which is directed upon a limited
portion of the vibrating "length of the particular string, wire, or spring
from which "continuous sound is for the time being required to be produced."
By continuous sounds are meant those sounds which may be continued "so long
as the exciting cause is applied, as those of "the organ or violin, in
contradistinction to abrupt and evanescent "sounds, as those of the
pianoforte or harp." The aforesaid portion of the vibrating length of the
string, wire, or spring must be adapted or adjusted "to a slit or linear
aperture through "which the current of air passes, and the width of which
must "be a little greater than the diameter of the said string, wire, "or
spring." Various methods of producing these sounds are described.
2.
A method whereby a hammer "such as is used in piano "fortes" is caused to
strike each string, wire, or spring at the same instant that the valve is
opened to act upon the same.
3.
A method whereby continuous sounds corresponding to different notes of the
musical scale are produced from the same string, wire, or spring by means of
a current of air.
4.
A method whereby in addition to 3, the same pressure of the finger (with or
without the intervention of a stop), which causes the vibrating length of
such string, &c. to be shortened, also causes a simultaneous opening of the
valve, by which the wind is allowed to act on the string, &c.
5.
A method wherein the wind chest is divided by a partition into two
compartments, each furnished with valves so arranged in respect to the
bellows, that the current or currents of air by which continuous sounds are
to be produced is always forced in the same direction through each aperture
to which a string, &c. is adjusted, as well when the bellows is in the act
of being drawn out as when it is being pressed in."
Patents for Inventions: Abridgments of Specifications
Relating to Paints, 1871, p. 123 |
20, Conduit Street, Regent
Street (*1830)(*1857), London |
WHEATSTONE William |

Patent of 1824 :
"LXVII.—Specification of the Patent granted to William Wheatstone, of Jermyn
Street, in the Parish of St. James, Westminster, in the County of Middlesex,
Musicseller, for a method of improving and augmenting the tones of
Piano-Fortes, Organs, and Euphonons.—Dated July 29, 1824. [...][...]" - Read
more about this in :
The Technical repository, by T. Gill, Volume 6, 1824,
p. 216+290-291 |
'Music-seller' ca. 1818-25


(continuation)
Patent of 1825 : " To
WILLIAM WHEATSTONE, of Jermyn-street, St. James's, in the County of
Middlesex, Music-seller, for his Invention of a Method of Improving and
Augmenting the Tones of Piano-Fortes, Organs, Euphonons, and other Musical
Instruments."
Newton's London Journal of Arts and Sciences, Volume
9, 1825, p. 307
|
128, Pall Mall, St. James (*1818), 118, Pall
Mall (**1822), 118, Jermyn Street, St. James's, Westminster, Middlesex
(*1824)(*1825), London |
WHEELER Timothy |
 |
'Pianoforte-maker' ca. 1874 |
h. Hudson (*1874), Woburn |
WHEELER & KELLAWAY |
 |
'Pianoforte-makers' ca. 1895 |
13, Berners Street, W. (**1895), London |
WHELPDALE |

BRANDS
BENTLEY
BRAODWOOD
DE BLAISE W.
HOPKINSON
KNIGHT
LIPP Rich.
MARSHALL
Herbert
MARSHALL & ROSE
STEINBERG G.
STROUD
WELMAR,
on ths page
WOODCHESTER,
on this page
ZENDER

|
'Pianoforte-manufacturers' since 1876
WHELPDALE,
MAXWELL & CODD (??)
Fusion with WOODCHESTER PIANOS, STROUD
in 2000 under the name
BRITISH PIANO MANUFACTURING COMPAGNY in
Stroud.
End : ca. 2003
|
154, Clapham Park Road (1876),
Crown Place, N.W. (*1903)(*1909),
8, Berckley Square (??),
London

Woodchester, Stroud |
WHILLIER H. |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1900 |
Ipswick |
WHITAKER John & Co |
 |
'Pianoforte-makers' ca. 1822-25 |
75, St. Paul's Church Yard (**1822)(x1825), London |
WHITE
A. S. & Co |
 |
'Pianoforte-maker' ca. 1904-18 |
[48a], Broughton Road, Stoe Newington, N.
(**1904)(*1910), 29a, Dumont Road, Stoke
Newington, N. (*1916)(*1917)(*1918), London
|
WHITE, BROADWOOD & Co
|
 |
'Pianoforte-maker' since 1879 |
London Place, London Fields, N.E. (*1914)(*1915), London |
WHITE Brothers |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1906-10 |
122, Mile End Road, E.
(*1906)(*1907)(*1910), London |
WHITE George |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1904-10 |
86, Brixton Road, S.W.
(**1904),
27, High Street, Kensington
(*1906)(*1907)(*1910), London |
WHITE George |
 |
'Pianoforte-maker' ca.
1874 |
13, Ipswich Road, Dalston, E. (**1874), London |
WHITE
& HICKS |
 |
'Pianoforte-maker' ca. 1895-1910 |
Birkbeck Road, Kingsland (*1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910), London |
WHITE J. B. & Co |
 |
'Pianoforte-maker' ca. 1893-1906 |
Helmsley Street, Mare Street, Hackney
(*1893)(*1895)(*1897)(*1899)(*1903)(*1906), London |
WHITE James Henry |
 |
'Pianoforte-maker and tuner' ca. 1836-42 |
5, Exchange Street (xx1836), Post Office Street
(xx1836)(*1839)(*1842), Norwich |
WHITE T. |
 |
'Pianoforte-maker' since 1895 |
London |
WHITE Thomas |
 |
'Music Seller' ca. 1818 |
8, Wellclose Square, Ratcliffe Highway
(*1818), London |
WHITE W. |


|
Pianoforte-maker and/or pianoforte dealer
ca. 19??
WHITE
& SENTANCE (?) |
Grantham |
WHITEHEAD Brothers |
 |
'Pianoforte-maker' ca. ?? |
Manchester |
WHITELEY William |

PARIS -
"Spéimens d'un nouvel instrument de musique à cordes brevets dit "Harmonic
Angelute," ayant le clavier d'un "concertina" anglais, la forme d'une harpe
et les cordes d'un piano ; fabriqueé par William Whiteley, Westbourne Grove,
London."
Catalogue officiel de la section anglaise, 1878,
p. 67 (archive.org)
|
'Pianoforte-maker' ca. 1878-1910
WHITELEY
W. Ltd (*1907)

Exhibitors list Paris, 1878 |
147-159, Queen's Road, W. (**1882)(**1891)(**1895), 31-55
& 61,Westbourne Grove, W. (**1878)(**1882)(**1891)(**1895), 127, Queen's
Road, W. (**1884), Westbourne Grove, W. (*1895)(*1897)(*1899)(*1903)(*1906)(*1907)(*1909)(*1910), London
|
WHITELOCK W. M. R. |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1893-1909 |
58, Boar Lane (*1893)(*1895)(*1897)(*1906)(*1909),
Leeds |
WHITFIELD E. |
 |
'Pianoforte-maker' ca. 1900
|
Birmingham |
WHITFIELDS |
 |
'Pianoforte-maker' ca. 1900

PUB
of 1926, Ramsden Street Huddersfield
(huddersfield.exposed)
|
Ramsden Street (1926), Huddersfield, Heckmondwike |
WHITLOCK Gilbert A. |


|
Pianoforte-maker and/or pianoforte dealer
ca. 1900

BRAND
SUPERTONE PIANOS

|
London

Northampton |
WHITTINGHAM W. G. |
 |
'Pianoforte-maker' ca. 1893-1910
WHITTINGHAM
W. G. & CO
(**1896)(**1901)(*1909) |
[5], Queens
Road [Parade], Lavender Hill, S.W. (*1893)(*1895)(*1897)(*1899)(*1903), Bendon Valley Wandworths
(*1906)(*1909),
240, Lavender Hill, S.W. (**1901), Clapham Junet (*1910), London
|
WHITTON & WHITTON |
 |
'Pianoforte-maker' ca. 1874 |
Regent's Row (**1874), Queen's Road,
Dalston, E. (**1874), London |
WHOMES Edmund |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1901 |
240-242, Broadway, Bexley Heath (**1901),
London |
WICKING Benjamin |
 |
'Pianoforte-maker' ca. 1842-48 |
48, Kingsland Road (x1842)(*1843), London |
WICKING William |
 |
'Pianoforte-maker' ca. 1852-93 |
Holly Street, Dalston (**1852), 98, Holly Street, Dalston, E.
(**1874)(*1893), 190, Walworth Road, S.E. (**1884), London |
WICKINS & Co |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1906-10 |
41, New Bond Street, W.
(*1906)(*1907)(*1910), London |
WIGGETT William |
 |
'Pianoforte-maker' ca. 1860-75
Bankrupt in 1869,
The Weekly Notes, Volume 10, 1875, p. 433 |
Hungerford Road, Holloway (**1875), London |
WIGLEY Charles |
 |
'Musical Instrument Maker'
ca. 1822 |
84, Strand (**1822), London |
WIGLEY John |
 |
'Music & Instrument Warehouse'
ca. 1803 |
15, Coventry Street (*1803), London |
WILCOCKE Henry |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1852
|
17, Bridge Road, Lambeth (**1852), London |
WILCOCKE Henry Ray |
 |
Pianoforte-maker and/or pianoforte dealer and professor of Music & dancing ca.
1843-52
|
61, London Road, South Wk.
(*1843),
13, Newington causeway (**1852), London |
WILCOCKS William John
| WILLCOCKS |
 |
'Pianoforte-maker' ca.
1882-1909
WILCOCKS
William John (**1882)
WILCOCKS
Mrs. Anne Maria
(**1891)
WILCOCKS
William (**1893)
WILCOCKS
& Co (*1906)(*1910)
WILCOCKS
W. J. Ltd. & Co (*1907)
WILCOCKS
W. J. (*1909)
|
55, Barnsbury Road, N. (**1882)(**1891),
55, 70 & 108, Barnsbury Road, N. (**1884), 55-70, Barnsbury Road, N. (*1893),
21a, Berners Street, W.
(*1906)(*1907)(*1909)(*1910), Mousell Road (*1910), London |
WILD Leonard Mansell |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1914-15 |
209, Ball's Pond Road, N. (*1914)(*1915), London |
WILD Samuel Chappell |
 |
'Pianoforte-maker'
ca. 1882 |
1a, Glo'ster Street, Camden
Town, N.W. (**1882), London |
WILDE Brothers Stores Ltd. |
 |
Pianoforte-makers and/or pianoforte dealers
ca. 1914 |
32-34, Theobald's Road, W.C. (*1914), London |
WILDE W. H. |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1903-10 |
44, Infirsnirary Road (*1903)(*1906)(*1910), Sheffield |
WILKIE James |
 |
'Pianoforte-maker'
and tuner ca. 1842-43 |
67, Warren Street Fitzroy Square (x1842)(*1843), London |
WILKIE William Henry |
 |
'Pianoforte-maker'
and tuner ca. 1843-52 |
11, Grafton Street, Fitzroy Square
(*1843),
6, Edward Street, Hamstead Road (**1852), London |
WILKINSON Charles |
 |
'Pianoforte-maker'
and music publisher ca. 1784
Father of George WILKINSON, here below
WRIGHT
& WILKINSON (1784)
"Before 1784, Messrs. Wright &
Wilkinson were established at 13, Catherine Street, and re-printing Handel's
works from Walsh's plates. In 1789, Hermond or Harman Wright was here alone
until at least 1799]; in 1802 he had vacated the old place and gone to the
Strand."
British music publishers, printers and engravers:
London, Provincial, Scottish, and Irish, 1900, p. 108
(archive.org)
|
13, Catherine Street (1784), London |
WILKINSON George
(1783 - 1855)



Square pianoforte ca. 1811-13 of WILKINSON &
WORNUM,
hammerfluegel.info


WILKINSON & WORNUM, manufactory


Mr. Wornum s Patent Unique Action,
The Penny Cyclopaedia of the Society for the Difussion
of Useful ..., 1840, p. 142


Mr. Wornum's double or Piccolo Action,
The Penny Cyclopaedia of the Society for the Difussion
of Useful ..., 1840, p. 142
|


WILKINSON & WORNUM
 Upright
pianoforte ca. 1812-13,
Smithsonian Institution, Washington, D.C., U.S.
Square
pianoforte ca. 1811-13, hammerfluegel.info

WILKINSON George
Grand
pianoforte ca. 1830, hammerfluegel.info


"The unique piano forte was introduced about thirty years ago by Messrs.
Wilkinson and Wornum, and was the invention and patent of the latter. This
instrument met the taste of the day for instruments of Utile altitude; it
did not stand higher than three feet three inches, and the strings were all
placed diagonally towards the lloor; the action was simple and effective,
but it is not now under manufacture. Numerous inventions and improvements
appeared about this time, some of which were patented, and some not; but we
cannot say more concerning them than that they were productions with
scarcely a difference, and calculated merely to gratify their several makers
with a variety of their own; for their powers and peculiarities were all
much to the same effect under the finger of a performer: indeed we had no
decidedly new thing until the double or Piccolo action appeared. This was
the invention of Mr. Wornum, and patented by him some ten or twelve years
ago; it is applicable to both upright and horizontal instruments, and is now
extensively manufactured in Europe and America."
The Penny Cyclopaedia of the Society for the Difussion
of Useful ..., 1840, p. 142


"G. WILKINSON, PIANO-FORTE MAKER, Begs to
acquaint the Nobility and Gentry, and his Friends in general, that, in
consequence of the Lease of his Premises in Oxford Street having expired, he
has removed to No. 12, PERCY 8TREET, BEDFORD Square, where he solicits a
continuance of the kind support he has already experienced, and which he
gratefully acknowledges. 12, Percy Street, Bedford Square, May 24th., 1830."
The Harmonicon, Volumes 4-10, William Ayrton, 06/1830,
p. 267

"GEORGE
WILKINSON - Begs to acquaint the Nobility, Gentry, and his Friends, that
since his Removal from Oxford Street to No. 12, PERCY STREET, he has
manufactured an Extensive and Elegant Stock of
CABINET, COTTAGE, and SQUARE PIANOFORTES,
in doing which, he has paid particular attention, and fully succeeded in the
security of those intended for Tropical Climates, on Principles equally
applicable to counteract 1 liechanges of our own. G. W. continues to Let
Superior Piano-fortes on Hire."
The Harmonicon, Volumes 4-10, August 1830,
p. 275

INFO EXTRA
WILKINSON on Wikipedia

|
'Pianoforte-maker' and music publisher ca. 1799-1830
WILKINSON & BRODERIP
(1798)
"Broderip & Wilkinson. Broderip, who was
without doubt Robert Broderip, the musician, organist at Bristol, and son of
John Broderip, of Wells, had been partner in the great firm of Longman and
Broderip, which came to grief some time about 1798. This firm had two places
of business, one at 26, Cheapside, and the other at 13, Haymarket. Longman
founded another business at the Cheapside address, while Broderip entering
into partnership with Wilkinson took over the Haymarket premises. Broderip
and Wilkinson are first-named in the Directory for 1799 and retain a place
till 1808. In 1809, the firm is set down as Wilkinson & Co., and it seems
evident that Broderip was dead; after 1810 this disappears. The following
extract (kindly forwarded by Mr. F. G. Edwards) from the "Morning
Chronicle," of January 11th, 1811, proves that Wilkinson & Co. did not
remain long in existence after the death of Broderip, and also shows what
became of the stock and plates: — "T. Preston, 97, Strand, acquaints
amateurs, etc., that he has just purchased the entire stock, etc, of
Wilkinson & Co., late Broderip & Wilkinson, of the Hay-market."
Robert Broderip, born at Wells in 1750, died May 14th, 1808, at Bristol, the
year which tallies with the absence of the name from the music firm,
affording considerable confirmation that he was the senior partner in it.
Broderip & Wilkinson did not hold a very large business, publishing
principally sheet music, with an occasional tutor for the harpsichord,
violoncello, etc. One piece of sheet music is a rondo on the air, "If a body
meet a body," by Robert Broderip, and some glees taken from Scott's poetry,
by Dr. Clarke, of Cambridge, are among music issued by "Wilkinson & Co.,
late Broderip & Wilkinson."
British music publishers, printers and engravers:
London, Provincial, Scottish, and Irish, 1900, p. 18-19
(archive.org)
- see also
WRIGHT Hermond on this page
WILKINSON
& WORNUM (1811-13)(1),
see also WORNUM, here below
1813 -
"Notice is hereby given, that the
partnership carried on between us the undersigned George Wilkinson and
Robert Wornum, in the trade or bussiness of Piano-Forte-Manufacturers, at
No. 315, Oxford Street, and 11, Princes-Street, Hanover-Square, is this day
dissolved by mutual consent. - Witness our hands this day 3d day of march
1813. George Wilkinson. R. Wornum."
The London Gazette, 09/03/1813, p. 489
"The unique pianoforte was next introduced by Messrs. Wilkinson & Wornum. This
instrument, although suited to the taste of the day, did not content its
inventor, Mr. Wornum, who soon after produced the piccolo, which, in a short
time, exceeded all its predecessors in popularity."
Beeton's Dictionary of universal information;
comprising a complete summary ..., 1861, p. 1393
BRODERIP &
WILKINSON
(*1799), see also
BRODERIP
WILKINSON George
(*1816)(*1817)(*1820)(*1830)
|
13, Hay-Market (*1799),
315, Oxford Street (*1816)(*1817)(*1820)(**1822)(*1823)(***1824)(x1825),
12, Percy Street, Bedford Square (*1830), London |
WILKINSON H. |
 |
'Pianoforte-maker' ca. 1904 |
12, Hazellville Road, Hornsey Rise, N.
(**1904), London |
WILLCOCKS Alfred G. |
 |
'Pianoforte-maker' ca. 1870 |
9, Camden Street (**1870), 10 a, St. James
Street, Islington, N. (**1870), London |
WILLCOCKS & Co |
 |
'Pianoforte-makers' since 1906 |
London |
WILLCOCKS & Co |
 |
'Pianoforte-makers' ca. 1904 |
37, Monsell road, Finsbury Park, N.
(**1904), London |
WILLCOCKS Charles James |
 |
'Pianoforte-maker' ca. 1895 |
133, Barnsbury Road, N. (**1895), London |
WILLERINGHOUSE & Co |
 |
Pianoforte-maker and/or pianoforte dealer and importers of pianofortes
(IBACH) ca.
1891 |
13, Hamsell Street, E.C. (**1891), London |
WILLIAMS B. |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1906-10 |
20, Nassau Street, W.
(*1906)(*1907),
Goode Street (*1910), London |
WILLIAMS & Co |
 |
Pianoforte-makers and/or piano dealers ca. 1907-09 |
15, Electric Avenue, S.W. (*1907)(*1909), London |
WILLIAMS & HARNETT |
 |
'Pianoforte-makers' ca. 1895-1910 |
Carlow Street, Arlington Road (*1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910), London |
WILLIAMS John |
 |
'Pianoforte-maker' ca. 1838


1838 -
"Insolvent Debtors [...] John Williams, formerly of No. 14, Michael's-place, Brompton,
Journeyman Piano-Forte-Maker and Ship. Builder. No. 14, Michael's place,
Brompton aforesaid, and at the time of No. 2. Grove-Place, Brompton, and
afterwards No. 2 Grove-place, Brompton aforesaid, all in Middlesex,
Piano-Forte-Maker."
The London Gazette, 06/07/1838, p. 1552-1553
|
2 Grove Place, Brompton,
Middlesex (**1838), London |
WILLIAMS Joseph |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1906-10 |
32, Great Portland Street, W.
(*1906)(*1907)(*1910), London |
WILLIAMS N. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1836 |
28, Redcliff Crescent (x1836), Bristol |
WILLIAMS Richard |
 |
'Pianoforte-maker' ca. 1818-29
1829 -
Bankrupt on 13 january 1829,
The Bankrupt Directory: Being a Complete Register of
All the Bankrupts, with ..., George Elwick, 1843, p. 450 -
and -
Colburn's New Monthly Magazine, 01/02/1829,
p. 88
|
18, Upper Crown Street, Westminster
(**1818), 3, Upper Crown Street, Westminster (*1818),
90, Great Surrey Street, Blackfriars (1829), London |
WILLIAMS Robert Frederick |
 |
'Pianoforte-maker ' ca.
1895-1910 |
10, King's Road, St. Pancras, N.W.
(**1895),
12, Carlow Street
(*1910), London |
WILLIAMS Thomas |
 |
'Music-seller ' ca.
1818-22 |
29, Tavistock Street, Covent Garden
(*1818), 2, Strand (**1822), London |
WILLIAMS William |

Patent of 1862 : "Williams. 13th
February 1862. - 379. WILLIAM WILLIAMS, of Bath, in the County of
Somerset, Pianoforte Maker, for an invention for Improvements in
pianofortes. Letters Patent sealed."
Chronological and Descriptive Index of Patents
Applied for and Patents, 1863, p. 28
|
'Pianoforte-maker'
ca. 1862 |
Bath,
Somerset |
WILLIAMS William |
 |
'Pianoforte-maker' ca. 1841-43 |
7, North Street, John Street , Fitzroy Square
(**1841)(*1843), London |
WILLIAMS W. E. Ltd. |
 |
'Pianoforte-maker' ca. 1901-19 |
9, Victoria Parade, Balharn Hill, S.W.
(**1901)(**1904), 13-15, Electric Avenue, Brixton, S.W.
(**1901)(**1904)(*1916)(*1917)(*1918)(*1919), London
|
WILLIS Isaac |

" WILLIS
AND CO., No. 75, Lower Grosvenor Street, (near Bond Street.) London,
respectfully solicit the attention of the lovers of the Pianoforte to their
splendid assortment of TABLE PIANopontes, in Maple Zebra, Rosewood, and
Mahogany Cases, recently consigned to them by the Patentee—who has appointed
them sole agents in London, for the sale of these instruments, in which will
be found a combination of the whole of the latest inventions of M. PAPE.
They possess a brilliancy and power of tone far beyond that of the square
pianoforte, with a three-fold advantage—that of occupying no more room than
an ordinary table—of placing a musical party in the centre of the room— and
of giving the performer at the pianoforte the entire command of the persons
accompanying, either vocal or instrumental, the lid on the side opposite to
the performer falling back, and forming an excellent music desk.
The improvements and advantages derived from them are too numerous and
important for the limits of an advertisement. The superiority of their tone,
the simplicity and strength of their mechanism, and the beauty and elegance
of their form, and external appearance, render them well worthy of the high
character they have established, both on the Continent, and in this country.
(see next
)
|
'Pianoforte-maker' ca. 1815-50
WILLIS
Isaac & Co (1842-50)
See also
WILLIS Isaac in Dublin, Ireland


(continuation)
A constant supply of Pianofortes by all the
most eminent makers, may be found at 75, Grosvenor Street; and are offered
to the public at the lowest manufacturers' prices. Subscription to the
Musical Library, Two Guineas per annum. *...* A general assortment of M.
PAPE's PATENT PIANOFORTES may be seen at No. 116, New Bond Street, including
his newly-invented Eight-Octave GRAND PIANOFORTE. The Sopha and Console
Pianofortes."
The Musical World, 1842 p. 348 |
75, Lower Grosvenor Street, Bond Street
(x1842)(1842-50), London |
WILLIS John |

"WILLIS and CO. have the honour of
informing the Nobility, Gentry, and Public, that their Rooms are constantly
supplied with a splendid assortment of PIANO-FORTES, HARPS, &c, which they
offer for Sale at the lowest Manufacturers' Prices. They have just received
a fresh assortment of their PATENT BAR FOLIOS, for holding Music, &c, on a
new and extremely simple construction, which secures the contents as firmly
as if bound.
A great Variety of FOREIGN GUITARS, at all Prices. PIANO-FORTES LENT ON
HIRE."
The Harmonicon, Volumes 4-10, 01/1829, p.
200 |
Pianoforte-maker and/or pianoforte dealer and publishers ca. 1822- 30
 WILLIS
& Co (1829)


(continuation)
"Published
by Willis & Co., Royal Musical Repository, 55, St. James's Street, London;
and 7, Westmoreland Street, Dublin; where may be found every variety of
Grand, Cabinet, Cottage, Square, and Circular Pianofortes, Harps, &c. by the
most eminent makers, at the lowest manufacturers' prices."
The Edinburgh Review: Or Critical Journal, 1830,
p. 22
|
3, Angel Court, opposite Somerset
House (**1822),
55, St. James's Street (x1830), London

65, St. James's Street (opposite Jermyn
Street (x1826), 7,
Westmoreland Street (x1826)(x1830),
Dublin, Ireland |
WILLIS T. R. |
 |
'Pianoforte-maker' ca. 1884 |
29, Minories (**1884), London |
WILSON A. |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1893 |
169-171, West Street (*1893), Sheffield |
WILSON A., PECK & Co
| BECK |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1895-1910 |
31, Fargate (*1895)(*1897)(*1903)(*1906), 2-6, Pinstone Street (*1903)(*1906)(*1910), Sheffield,
Nottingham |
WILSON E. F. |
 |
Pianoforte-maker and/or pianoforte dealer
ca. 1893-97 |
134, Town Street, Stanningelay (*1893),
19, Hilary Street
(*1895)(*1897),
Leeds |
WILSON Henry Swindon |
 |
'Pianoforte-maker' ca. 1853
Witness in a court 1853,
Proceedings of the Central Criminal Court, 4th April
1853, p. 53
|
2, Henry-street, Cumberland-market (18??),
16, Gloucester-place (18??), London |
WILSON James Andrew |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1901-04 |
22, High Steet, Putney, S.W. (**1901)(**1904),
London |
WILSON A., PECK & Co Ltd. |


|
Pianoforte-maker and/or pianoforte dealer ca.
1920 |
Nottingham

Sheffield
|
WILSON Stanley & Co |
 |
Pianoforte-maker and/or pianoforte dealer ca. 1890 |
Westbourne Park (?),
London |
WILSON William |
 |
'Musical Instrument Maker' ca. 1808-28,
'Pianoforte-manufacturer' (**1828) |
Newbrough Street (*1808), Longroom Street
(**1828), Scarborough, Yorkshire |
WINDOVER |
 |

BRAND
Pianos made by
BRITISH PIANO MANUFACTURING
End : ca. 1956

|
London |
WINDUS James |

"WINDUS, J., Pianoforte Maker,
Selecter, and Tuner, 43, London-street, Fitzroy-square."
The British Colonies : their history, extent,
condition and resources, 1851, p. 12 (archive.org)
|
'Pianoforte-maker' ca. 1851-95
WINDUS
James & Co (**1882)(**1891)(**1895)

Exhibitors list
London, 1872 |
43, London Street, Fitzroy Square (y1851)(**1852)(y1854)(y1857), 120, Great Portland Street, W.
(**1882)(**1884)(**1891)(*1893)(**1895), Langham Works, Gosfield Street, W. (**1891), 32,
Great Titchfield Street, W. (**1882)(**1884)(*1893), London |
WINGET William |
 |
'Pianoforte-maker' ca. 1841 |
63, John Street, Fitzroy Square (**1841),
London |
WISHER John & Son |
 |
'Pianoforte-makers' ca. 1900
Established in 1822 |
7, London Road (?), Derby |
WISSNER Conrad |
 |
'Pianoforte-maker' ca. 1882
|
11, Howland Street, Fitzroy Square, W.
(**1882), London |
WITNEY M. A. |
|
'Pianoforte-maker' ca. 1915 |
12, Percy Street, W. (*1915), London |
WITKOWSKI Max Arthur |
|
Pianoforte-maker and/or pianoforte dealer ca. 1914-15 |
32, Newman Street, W. (*1914),
2, Percy Street, W. (*1915), London |
WITTON David J. |
|
'Pianoforte-maker' ca. 1884-95
'late FROOMS & Co' (**1884), see
FROOMS
|
239, Commercial Road, East, E. (**1884)(*1890)(**1891)(**1895), London |
WITTON David Samuel |

Patent of 1858 :
" 1564.
David Samuel WITTON, of 30, Tibberton Square, Lower Road, Islington, in
the County of Middlesex, for an invention for Improvements in
pianofortes. Provisional protection only."
Chronological and Descriptive Index of Patents
Applied for and Patents, 1859, p. 99
|
'Pianoforte-maker' since
1857 |
30, Tibberton Square, Lower Road,
Islington, Middlesex (*1859), London |
WITTON R. & WITTON |




|
'Pianoforte-makers' since
1838
WITTON
& WITTON (**1882)(**1884)(**1891)(*1895)(*1897)(*1903)(*1906)(*1909)
WITTON, WITTON & Co
(**1895)(*1910)(*1916)(*1917)(*1918)(*1919)
|
32, Hanover Street,
Arlington, [Islington], N.
(**1882)(**1884)(**1891)(*1895)(**1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910),
143, Fonthill Road, [Seven Sisters' Road], Finsbury Park, N. (*1916)(*1917)(*1918)(*1919)(*1921), London |
WOLF |
 |
'Pianoforte-maker' (date
?)
GEROCK
& WOLF, see also
GEROCK
|
London |
WOLF Robert
(? - 1844) |


Square
pianoforte ca. 1840, Powerhouse Museum, Museum of Applied Arts
and Sciences, Sydney, Australia


"By his
Majesty's Royal Letters Patent.
ROBERT WOLF & CO.'S
PICOLO AND GRAND SQUARE PIANO-FORTES,
WITH PATENT TRANSVERSE STRINGS, And GRAND PIVOT ACTION, 79, CORNHILL,
LONDON.
Robert Wolf & Co. respectfully invite the attention of the Musical
Profession and the Public to their Newly-invented Picolo, and Grand Square
Piano-fortes, with Patent Transverse Strings, and Grand Pivot Action, which
are offered at prices not greater than Instruments ot similar exterior made
on common principles.
This novel and efficient improvement, for which His Majesty's Royal Letters
Patent have been obtained, is designed to obviate certain difficulties,
experienced by all Piano-Forte Makers in the attempt to combine power with
sweetness of quality, in Picolo and Square Pianos ; and these difficulties,
after a long course of experiments, they have completely overcome by the
following simple invention.
The upper or Treble strings are drawn across the instrument, similar to
those on the Horizontal Grand Piano and the Bass strings being drawn over
them, and placed on a bridge behind, are increased in length, and thus a
more equal distribution of pressure on the Sound-Board, which passes over
the whole area of the instrument, being obtained, the extent of vibratory
surface is considerably increased, and a wider space for the Action,
constructed on the principle of that of the Horizontal Grand, much
simplified, being afforded, a more direct and equal blow from the hammer,
and that delicacy of touch which is justly appreciated by an accomplished
performer, is satisfactorily effected.
As the limits of this notice will not admit an adequate description of all
the important advantages which arise out of this invention in the
construction of these Piano-Fortes, and convinced of their superior elegance
and convertibility in point of form, Rorert Wolf nnd Co. solicit the favor
of personal inspection at their Ware Rooms, (late Gerock, Astor, and Co's,)
79, Cornhill, London."
The Musical World, 09/06/1837, p. 212
|
'Musical instrument maker'
ca. 1839-44
GEROCK
& WOLF (date ?)
WOLF Robert & co
(xx1837)(**1841)(x1842)(*1843)
1841 -
"Tuesday, February 23. Partnerships
dissolved. [...] R. Wolf and Co. Moorgate street, pianoforte manufacturers."
The Examiner, 28/02/1841, p. 349
Successor of
ASTOR and
GEROCK


1846 - "PURSUANT to a Decree of the High Court
of Chancery, made in a cause Middleton versus Wolf, the creditors of Robert
Wolf, late of St. Martin's-le-Grand, in the city of London, Piano Forte
Manufacturer, deceased (who died in the month of November 1844), are, by
their Solicitors, forthwith to leave their claims of debts before William
Brougham, Esq. one of the Masters of the said Court, at his office, in
Southampton-buildings, Chancery-lane, London, and are to establish such
claims before the said Master, or in default thereof they will be excluded
the benefit of the said Decree and the General Orders of the said Court."
The London Gazette, 1846, p. 2855


Patent of 1834 :
"Robert Wolf, Cornhill, musical
instrument maker, for an improvement in piano-fortes , consisting in the
new construction on the principle of acoustics of a sounding body,
applicable to every description of piano-fortes. March 2 ; six months to
specify."
Mechanics Magazine, Volume 22, 1835, p.
479
|
[79], Cornhill (xx1837)(x1842),
45, Moortgate Street, Bank (**1841), 20, St. Martin's-le-Grand
[late 79, Cornhill](x1842)(*1843)(1844), London |
WOLFF Benni |
 |
'Pianoforte-maker' ca.
1884 |
73, Noble Street, E.C. (**1884), London |
WOLFRAMM Hermann
| WOLFFRAM Herrman |
 |
'Pianoforte-maker' ca. 1891-1914
Agent : Alfred Lengnick (**1891) |
151, Oxford Street, W. (**1891)(*1893), 30,
City Road, E.C. (*1914), London |
WONNACOTT J. |
 |
'Pianoforte-maker' ca.
1884 |
51, Millman Street, Bedford Row, W.C.
(**1884), London |
WONDER PIANOFORTE & Co |
 |
'Pianoforte-makers' (date ?) |
London |
WOOD Brothers |
 |
Pianoforte-makers and/or pianoforte dealers ca. 1906-09 |
12, Park Lane (*1906)(*1909), Leeds |
WOOD & Co |
 |
'Pianoforte-makers' ca. 1891-97 |
3, Rathbone Place, Oxford
Street, W. (**1891), [32a], Wrotham Road, King's Road, N.W.
(**1891)(*1895)(*1897), London
|
WOOD James & Son |
 |
'Musical Instrument Makers'
ca. 1822 |
50, New Compton Street, Soho (**1822), London |
WOOD J., MUIR & Co |
 |
Pianoforte-makers and/or pianoforte dealers ca. 1891-97 |
31, Conduit Street, W. (**1895), London
|
WOOD James |

" Wood
James, cabinet, cottage & picolo pianoforte manfr. wholesale & for
exportation, 14 Somers town terrace, Clarendon Square"
Post Office London Directory, 1852, p. 571
(specialcollections.le.ac.uk)
|
'Pianoforte-maker'
ca. 1852 |
14, Somers Town Terrace, Clarendon Square (**1852), London |
WOOD James Slight |

"WOOD, J. S.,
Pianoforte Maker, Pianofortes tuned, repaired, and exchanged, 81,
Wells-street, Oxford-street, and 2, Sion Terrace, Tunbridge Wells."
The British Colonies : their history, extent,
condition and resources, 1851, p. 12 (archive.org)
|
'Pianoforte-maker' ca. 1841-57 |
81, Wells Street, Oxford Street(**1841)(x1842)(*1843)(y1851)(**1852)(y1854)(y1857),
2, Sion Terrace, Tunbridge Wells (y1851)(y1854)(y1857),
London |
WOOD John & Co |
 |
'Pianoforte-maker' ca. 1914-15 |
1a, Forrester Street, Mile End Road, E.
(*1914)(*1915),
London |
WOOD & LAMBERT |
 |
'Pianoforte-maker' ca. 1884
"Vertical, Single & Double overstrung
pianos" (**1884) |
11, Whitfield Street, Fitzroy Square,
W. (**1884), London |
WOOD & MARSHALL |
 |
Pianoforte-makers and/or piano dealers ca. 1893-1910 |
9, New Ivegate (*1893)(*1895)(*1897)(*1903)(*1906)(*1909)(*1910), Bradford |
WOOD Robert |
 |
'Pianoforte-maker' ca. 1843 |
26,
Hastings Street, Burton er. (*1843), London |
WOOD William |
 |
'Pianoforte-maker' ca. 1841-43
WOOD
William (**1841)
 NUTTING
& WOOD
(*1843), see also
NUTTING
|
72, Judd Street, Brunswick Square (**1841), London |
WOODCHESTER |
 |
'Pianoforte-manufacturer' since 1906
Successors of
BENTLEY
Fusion in 2000 with WHELPDALE, MAXWELL
& CODD
End : ca. 2003
|
Woodchester, Stroud |
WOODS Georg |

Patent of 1803 : "June 28, 1803.—
George Woods. Strings attached to pulleys, beams, etc., so that the
whole may be raised or lowered in pitch at once."
The History of the Pianoforte, Edgard Brinsmead,
1879, p. 199-200 (archive.org)
|
'Pianoforte-maker' ? ca. 1803 |
London ? |
WOODS R. J. & Co |
 |
'Pianoforte-maker' since 1895 |
London |
WOODSON |

"Woodson | Grand upright & Square Piano-forte
maker | Soho Square | London"

PHOTOS EXTRA

Click on the images to enlarge

|
'Pianoforte-maker' in London and Paris ca. 1820 |
Soho Square (ca. 1820), London

Paris, France |
WOODWARD |

"Cheltenham. - G. WOODWARD, Pianoforte and Harmonium
Manufacterer, Music Seller, &c., has always in stock instruments by
Broadwood, Collard, Erard, Kirkman, &c., for Sale or Hire, on the various
systems, is noted for repairs of and restoration of instruments, wich cannot
be superseded by any house in England."
Monthly Musical Record, Volume 2, 1872, p.
154
|
Pianoforte-maker and/or pianoforte dealer
ca.
1872 |
Cheltenham |
WOOLHOUSE |
 |
Pianoforte-maker and/or pianoforte dealer ca.
1906-10
WOOLHOUSE C.
(*1906)(*1910)
WOOLHOUSE & Co
(*1907)(*1909)(*1910)
|
174, wardour Street, W.
(*1906)(*1907)(*1909)(*1910), London |
WOOLLEY Thomas


Image of a pianoforte,
in an advertisement,
The Midland counties railway companion. Also, guides
to the London ..., 1840, p. 85 |

"Midland Counties' - Repositories & musical Academies -
For TEACHING the PIANO-FORTE & VOCALISATION, &c.
In Classes, Where also is kept a large Assortment of Pianofortes, Harps,
&c. FOR SALE OR HIRE,
WHEELER-GATE, NOTTINGHAM, AND FULL-STREET, DERBY.
MR. WOOLLEY - Begs to invite the attention of the Musical Public to his
extensive Stock of PIANOFORTES OF THE FOLLOWING KINDS :
CABINET PIANOS, (Six and a half octaves.)
SEMI-CABINET DITTO, (Six and a half octaves.)
COTTAGE DITTO, (Square and circular fall.)
PICCOLO, improved. (Square and circular fall.)
GRAND Square DITTO, (with metallic plates.)
COMMON Square DITTO, (with ditto.)
COMBINING EXCLUSIVE IMPROVEMENTS, IN ROSEWOOD AND MAHOGANY, Presenting
to the Musical Amateur, the unparalleled advantage of choosing from the
very best warranted Instruments, which he continues to sell 25 per cent,
under the usual prices.
In these days of rapid loco-motion it is to be hoped, that the number
and great variety of I nBtruments always to be seen and compared, both
as regards Tone, Touch, and Exterior Appearance, will induce parties to
travel some distance, to enable them to hear and see, and thus to secure
to themselves the advantages offered in these Establishments.
COTTAGE, PICCOLO, AND Square PIANO-FORTES, SINGLE AND DOUBLE MOVEMENT
HARPS, Embracing all the Modern Improvements,
let on hire, tuned, parked, and sent to any distance.
Three Months' Hirage will be deducted from the price if purchased; thus
affording the moat
satisfactory opportunity of ascertaining the qualities of the
Instruments.
The Full Value allowed for Pianos when taken in Exchange, varieties of
which are always on hand, at different Prices, from Five Pounds and
ALSO, elegant spanish guitars, music stools, and every article
appertaining to music.
Printed Music for Vocal and Instrumental Purposes, Of the English,
French, and Italian Schools. - PIANO-FORTES, TUNED AND REPAIRED. N.B. -
descriptive Lists, with an accompanying Sketch of the various kinds of
Pianos, and their exact dimensions, may be had had of Mr, Woolley,
together with further particulars of his new system of Class Tuition.
Midland Counties' Repositories, and Musical Academies, for teaching the
PIANO-FORTE & VOCALISATION, &c. In Classes, WHERE ALSO IS KEPT A LARGE
ASSORTMENT OF PIANO-FORTES, HARPS, &c.
For Sale or hire,
Wheeler-Gate Nottingham and Full Street Derby
MR. WOOLLEY - BEGS TO SOLICIT THE ATTENTION OF HIS FRIENDS, AND THE
MUSICAL PUBLIC, TO HIS
NEW SYSTEM OF CLASS TUITION. - The Pupils are taught the Piano-Forte on
the systems of the Modern Writers for, and Performers on the Instrument,
whose Klements, Studies, &c,, as well as original exercises, (calculated
in every instance to insure the rapid improvement of the Pupil,) have
afforded ample means of forming a NEW SCHOOL of PIANO-FORTE TUITION.
(see next )
|
'Pianoforte-maker' ca. 1840-55
WOOLLEY T. I.
(xx1855)


LONDON -
"Mr. Woolley, of Nottingham, exhibits two
piccolo uprights, 7 octaves, C to C. These have three vertical strings to
each note, and have a bracing behind the frame, called the patent
equilibrium, for taking the tension of the strings."
Newton's London Journal of Arts and Sciences, 1851,
p. 37
LONDON -
"493 Wooley T., Nottingham -
Patentee and Manufacturer. Equilibrium patent pianofortes, for all
climates. Grand pianoforte, and 'ultiliton' pianoforte, 7 octaves each."
Official description and illustrated catalogue of
the Great exhibition, 1851, p. 469
LONDON -
"493 Woolley, T., Nottingham, Patent-Inh. und Fab. – Drei
Pianofortes."
Amtlicher Catalog der Ausstellung der
Industrie-Erzeugnisse aller Völker, 1851, p. 67


Patent of 1846 : "1846.
Thomas Woolley, of Nottingham, pianoforte manufacturer, for improvements
in pianofortes. (July 8.)"
The Repertory of patent inventions [formerly The
Repertory of arts ..., Volume 8, 1846, p. 126


(continuation)
The Pupils being under the eye of a skilful Pianist for two hours, are
not onlyconducted through a considerable portion of Theory, united with
Practice, but are made to comprehend and execute at the same instant,
the three important considerations of the Pianist—Construction,
Execution, and proper Fingering of the Piece.
VOCALISATION - forms a very important feature in this System of Tuition.
The younger Pupils, as well as the older, receive Lessous in Singiug
from the commencement, in the most approved Italian manner.
From the regular habit of practising the scales in plain notes and
passages of ornament, as well as in Songs, Duets, Trios. &c , the voice
acquires a Firmness of Tone, and Flexibility of Execution, unattainable
by any other means; and from the continuance of such exercises.
A SUPERIOR STYLE OF SINGING - is progressively formed, as fully evinced
by the performances of the Pupils of the Academies.
This new system has often been resorted to,for the finish of Pupils, who
had received previous instruction from other Masters and Professors; but
it is much better (where practicable ) to place children under this
method of Tuition from the first; thus affording the greater certainty
of the musical powers being developed in the highest degree; and
although these superior advantages are here proposed, the Terms
mentioned will be found (considering the time devoted,) much less
expensive than those of any other Teacher profeauing claims to
respectability.
Notice of a PupiCs discontinuing Lestons, is particularly requested.
Terms Per Quarter: — One Guinea and a half, including Tuition under the
following heads— Piano-Forte, Singing, Theory, & Vocal Accompaniment."
The Midland counties railway companion. Also, guides
to the London and ..., Midland counties railway, 1840, p. 84-85

Exhibitors list
London, 1851 |
Wheeler Gate (*1840)(**1846),
Park Row (xx1855),
Nottingham

Full Street (*1840), Derby
|
WOOLSTON & JAY |
 |
'Pianoforte-manufacturers' ca. 1852
See also
JAY |
6, King
Street, Camden Town (**1852), London |
WOOLVERTON Samuel |
 |
'Pianoforte-maker' ca. 1818 (3) |
London |
WORBY Thomas & Son |
 |
'Pianoforte-makers' ca. 1895-1915
WORBY
Alexander & Son
(*1914)(*1915)
|
243, King's Road, Chelsea, S.W.
(**1895)(*1914)(*1915), London |
WORNUM Alfred Nicholson
| WORMAN |

Patent of 1856
: "644. Alfred Nicholson
Wornum, of Store-street, Bedford-square, for improvements in grand
piano-fortes."
The London journal of arts and sciences and repertory
of patent inventions, 1856, p. 181
Patent of 1866 : "WORNUM.
19th July 1866. - 1883. Alfred Nicholson Wornum, of Store Street,
Bedford Square, in the County of Middlesex, for an invention for
Improvements in pianofortes."
Chronological index of patents applied for and
patents granted ..., 1867, p. 130
|
'Pianoforte-maker' ca. 1848-68


(continuation)
Patent of 1867 :
"Wornum. 17th April 1867. - Alfred
Nicholson Wornum, of Store Street, Bedford Square, in the County of
Middlesex, Pianoforte Manufacturer, for an invention for Improvements in
pianofortes. Letters Patent sealed."
Chronological index of patents applied for and
patents, 1868, p. 80
|
Store Street, Bedford Square,
Middlesex (*1848)(**1856)(**1867)(**1868), London |
WORNUM George & Co |
 |
'Pianoforte-manufacturers' ca. 1852 |
10, Maddox Street, Regent Street (**1852), London |
WORNUM Robert
| WORNAM
(1780 -
1852)


Patent of 1811, pianoforte of WORNUM


Cabinet pianoforte of WORNUM & WILKINSON, ca. 1812


Fig. 1961


Fig. 1962; Two Pianofortes
of WORNUM ca. 1835,
An Encyclopædia of Cottage, Farm, and Villa
Architecture and Furniture, 1835, p. 1069
|







Pianino of 1825,
Colonial Williamsburg Foundation, Williamsburg, Virginia, U.S. Upright
pianoforte n° 2330 ca. 1828, University of Edinburgh, Edinburgh,
Scotland, U.K.
Pocket
Grand piano n° 3770 ca. 1838, Germanisches Nationalmuseum, Nürnberg, Germany
Cottage
pianoforte ca. 1841, hammerfluegel.info
Upright
pianoforte ca. 1841, University of Edinburgh, Edinburgh,
Scotland, U.K.
Grand
pianoforte n° 4650, hammerfluegel.info
Grand Pianoforte n° 328/5018 ca. 1842, The Mobbs Keyboard Collection, Golden Bay,
New Zealand
Upright
pianoforte ca. 1842-46, Powerhousemuseum, Sydney, Australia
Grand
pianoforte ca. 1844, MIM, Brussels, Belgium
Grand
pianoforte ca. 1845-47, Powerhousemuseum, Sydney, Australia
Cabinet
pianoforte n° 6852 ca. 1845,
The Monart Collection,
Wexford, Ireland, U.K.
Square
pianoforte ca. 1850, hammerfluegel.info
Upright 'Piccolo' pianoforte ca. 1850, The Schureck Piano Collection, Berowra Heights, NSW,
Australia
Grand pianoforte ca. 1850, The Schureck Piano Collection, Berowra Heights, NSW,
Australia
Grand
pianoforte n° 9729, hammerfluegel.info
Grand
pianoforte ca. 1870, designed by James Gamble, Victoria & Albert
Museum, London, England, U.K.
Grand
pianoforte ca. 1872, University of Edinburgh, Edinburgh,
Scotland, U.K.

WORNUM
on this site
Click on the link here
above.

LONDON -
"Mr. Wornum contributes a small bichord
grand, called the “ Albion ” grand. The peculiarity of this instrument
is, that it has a down-striking action, patented by the maker in 1842.
There is no metallic bracing to this piano, and it affords a good
example of how much the introduction of the downstriking principle would
simplify and cheapen the instruments of this form, as Mr. Stodart’s does
in reference to the Square. A piccolo upright, 6¾ octaves, C to A, by
the same maker, is a good specimen of the first form of low upright,
with vertical strings. The peculiar action of the piccolo, patented by
Mr. Wornum, in 1829, has been extensively followed by foreign makers."
Newton's London Journal of Arts and Sciences, 1851,
p. 37
LONDON -
"499 Wornum, R., Erfind. und Fabr., Store Street. – Ein Piccolo-
und ein grosses patentirtes Pianoforte. "
Amtlicher Catalog der Ausstellung der
Industrie-Erzeugnisse aller Völker, 1851, p. 67
LONDON -
"499. WORNUM, ROBERT, Store Street — Inventor and
Manufacturer. Improved piccolo pianoforte. Semi-bichord grand
pianoforte, upon the patent over struck principle. [In the ordinary
pianoforte action, the springs are struck from below, in this instrument
the hammers strike down, hence the term overstruck.—H. E. D.]"
Official description and illustrated catalogue of
the Great exhibition, 1851, p. 469
LONDON -
"Returning to the British side in the gallery, we finilr. Wornum sent a
piccolo in walnut, and an Albion grand. We may remark, en passant,
that it is to this gentleman we are indebted for the first introduction
of the piccolo or small upright pianoforte, which, from its capability
of being produced cheaply, has had considerable influence in promoting
our manufacture of pianos, and indeed, extending a knowledge and taste
for music."
The Crystal Palace, and its contents : being an
illustrated cyclopaedia of the great exhibition of the industry of all
nations, 1851, p. 200 (archive.org)
LONDON -
"There were also specimens of Mr. Wornum's Grand and
Cottage Pianos in walnut; and a new patent piano, which he names a
"Folding Piano." It is, in fact, a small square or table piano, which,
instead of being placed on legs, is hung on centres and suspended
between two uprights. When played upon, it is put in a horizontal
position ; and when not used, can be swung back into a vertical
position, in which it occupies very little room.— Selected and condensed
from the Illustrated London News."
The International exhibition. The industry,
science, & art of the age, 1862, p. 150
LONDON -
"3450 WORNUM, R. & Sons, Store-st.
Bedford-st. — Pianos."
International exhibition, 1862 : Official
catalogue of the industrial department, 1862, p. 54
LONDON -
"Messrs. ROBERT WORNUM and Sons
(3450) exhibit three instruments, namely :—
1. An upright with oblique strings. This plan, which has come into such
extensive application as a means of giving incl'msod length of string to low
upright instruments, was patented by the late Robert Wornum in March 1811.
It has also other ingenious oontrivances by the same inventor.
2. A grand pianoforte constructed without iron bracing.
3. A patent square pianot‘orte, on the down-striking principle of a small
size and so contrived as when out of use to admit of being turned upright,
and so to take up very little room.
Messrs. Wornum are awarded a Medal for novelty of invention."
Reports by the Juries on the subjects in the
thirty-six classes into which ..., 1862, p. 148
LONDON - "WORNUM,
ROBERT, & Sons, the Hall, Store Street, W.C. — Piano Forte Manufacturers.
Awarded, Prize Medals, Exhibition of 1851, for Patent Piccolo Piano Forte,
and International Exhibition, 1862, for Novelty of Invention in Piano
Fortes."
Debrett's Illustrated Peerage, of the United Kingdom
of Great Britain, 1865, p. 501
PARIS -
"Mr. R. Wornum has sent grand and square pianos and a piccolo; the latter is
a capital instrument. With regard to the first named, on opening the piano
it will be found to present a different appearance from other instruments.
The absence of "metal bracings" will be noticed, and it will be found that
the instrument is constructed on what is known as the down striking
principle, in contradistinction to the "up blow" in general use. This
principle appears to have been invented so early as 1774, and amongst its
advantages it appears that the employment of iron may be avoided. It will be
readily understood that a piano constructed entirely of wood can be produced
at a comparatively moderate price. The grand and square pianos exhibited by
Mr. Wornum are constructed on a plan based upon this system. The price of
the grand is 135 guineas."
Reports on the Paris Universal Exhibition,
1867, Volume 2, p. 199
LONDON -
"12. Messrs. Wornum have conserved their original form of construction of
pianos, and use no iron whatever. The tone of each of the instruments
shown by them is sweet, but hardly full or forcible enough."
Journal of the Royal Society of Arts, 1872,
p. 890-891
LONDON -
"Pianofortes were to be seen in cases of tulip wood, satin wood, walnut,
mahogany, and ebony, of every size and description, including a pocket
grand pianoforte, 5 feet 4 inches long, manufactured by Messrs. Wornum.
After a careful examination of the various specimens, it became clear
that the plainer the instrument as regards its exterior adornment, the
more suitable and elegant it appears. A large grand pianoforte is always
a prominent piece of furniture in a room, and when this obtrusiveness is
increased by over-colouring or by too much ornamentation, it becomes
positively offensive to the eye, especially if the apartment in which it
stands is small or fully furnished."
The British Almanac, 1872, p.
124
PARIS -
"Wornum, Robert, & Sons ; Fabricants de pianos, Inventeurs ; 16, Store
Street, Bedford Square, London. Un piano à queue en fer (d'une longueur de
moins de 6 pieds anglais). Système de construction inventé et breveté par A.
N. Wornum en 1875, ayant cet avantage sur la méthode allemande dite "cross
stringing" (cordes croissées) que tandis que les cordes sont placées
parallelement les unes aux autres, leurs longueurs ne sont pas diminuees, ce
qui permet une construction plus simple et moins lourde surtout dans les
parties en fer. Par ce moyen il n'y a plus de necessité d'élargir le devant
de la caisse. La mécanique sort du coté de la basse, les claviers et les
étouffoirs restants en place.- Un piano à queue, 8 pieds anglais en longueur
construit sur le même principe. Un piano dit "Piccolo" (bicorde, avec cordes
demi-obliques), invention de feu Mr. Robert Wornum, brevetée en 1826. Les
principes du mecanisme sont universellement adoptes dans les meilleurs
instruments."
Catalogue officiel de la section anglaise, 1878,
p. 67 (archive.org)
|
'Upright & Horizontal Pianoforte-maker' since 1777
He made little upright, or cottage
pianofortes since 1798. (1)
WORNUM
Rob. (*1803), 'Musical Instrument
Maker'
WORNUM
& WILKINSON (ca. 1810-13), see also
WILKINSON, on this page.
1813 -
"Notice is hereby given, that the
partnership carried on between us the undersigned George Wilkinson and
Robert Wornum, in the trade or bussiness of Piano-Forte-Manufacturers, at
No. 315, Oxford Street, and 11, Princes-Street, Hanover-Square, is this day
dissolved by mutual consent. - Witness our hands this day 3d day of march
1813. George Wilkinson. R. Wornum."
The London Gazette, 09/03/1813, p. 489
His son, named also Robert, was his
successor in 1815. (1)
He has made already 6500 pianos in 1850. (1)
WORNUM
Robert (*1817)(x1825)(**1852)
WORNUM
Robert & Sons (**1870)(**1878)(**1882)(**1884)(*1893)(**1895)(*1903)(*1910)
End : after 1909

BIO
"Wornum, Robert. — London. Geb. 1742, †1815.
Ursprünglich Musikalienhändler, versuchte er sich auch im Instrumentenbau
und machte hauptsächlich Guitarren, aber auch Geigen und Violoncelli. Er
wohnte Wigmore Street No. 42. Sein Sohn (oder Neffe) Rob. Wornum (Store
Street Bedford Square, London. 1780-1852, ist der Erfinder des
Piano-Buffets, das er in den Jahren 1813-1827 fabricirte."
Die Geigen- und Lautenmacher vom Mittelalter bis zur
Gegenwart, Lütgendorff, Willibald Leo, Freiherr von, 1904, p. 716
(Archive.org)

" Piano-fortes.
The forms of piano-fortes have been lately much improved, so that they
now harmonise with the general forms of drawingroom furniture better
than they ever did before. The first step in the road to this desirable
end was made by the manufacturer Stodart, who invented the upright and
cabinet pianos about the beginning of the present century; and the last
by Wormum, Store Street, London, in the year 1833. This last
manufacturer, in that year, exhibited a piano-forte that could hardly be
distinguished from a library table. The piano-fortes of this maker,
which are most frequently used, are the two sizes, figs. 1961 and 1962
[see at the left side]: one of the smallest size, exhibited in fig.
1962, costs from thirty-six to fifty-five guineas; and one of the
largest, shown in fig. 1962, costs from fifty to one hundred guineas.
The first instrument is three feet four inches, and the second six feet
six inches, in height. There are numerous other forms of piano-fortes
and organs; and also of what are called harmonics, which produce music
by machinery. The advantages of Wornum's instruments are, that, with the
same degree of tone and excellence, in a musical point of view, as the
horizontal pianos, and with the convenient form of the upright pianos,
they are finished behind in such a manner as to have a handsome effect
whichever side is presented to the company. - The old upright and
cabinet pianos were generally placed against walls."
An Encyclopædia of Cottage, Farm, and Villa
Architecture and Furniture, 1835, p. 1069-1070

"PIANOFORTES. - EXTENSIVE REDUCTION IN
PRICE - R. WORNUM, INVENTOR and MANUFACTURER of Patent Double Action
Pianofortes, at the Music Hall, Store Street, Bedford Square.
THE PICCOLO.
Plain in Mahogany 30 Guineas
Best Ditto 34 Ditto
Elegant with Trusses 38 Ditto
Ditto with Cylinder 42 Ditto
Plain Rosewood 42 Ditto
Elegant 50 Ditto
COTTAGE AND CABINET. -
- From 42 Guineas to 75 Guineas
POCKET GRAND HORIZONTAL. - From 55 Guineas to 75 Guineas
IMPERIAL GRAND HORIZONTAL. - From 75 Guineas to 90 Guineas.
The above Instruments are well manufactured, and all prepared for
extreme climates. The Piccolo stands 3 ft 8 in. high; and the Pocket
Grand is only 5 ft. 4 in. long. A liberal allowance to Exporters and
Dealers. This Extensive Reduction has been drawn from the Advertiser as
a measure of protection to the "New Piccolo Pianoforte", the success of
which has induced certain Manufacturers to announce and sell Instruments
of a different character under the same name, by which the Public are
deceived and the Inventor injured."
The Musical World, 1839, p. 316 - and -
The University Magazine: A Literary and Philosophic
Review, 1839, p. 111

MUSIC HALL
1834 -
"NEW MUSIC-HALL. We were invited the other day to a private opening of this
new temple of Apollo; occupying part of the extensive premises of Mr.
Wornum's pianoforte-manufactory in Store Street, Bedford Square, and
constructed solely with reference to musical habitancy. Its dimensions are —
80 feet in length, 37 feet in breadth, and from 37 to 50 feet in height. The
orchestra, which is a fixture, appears to be conveniently constructed with
reference to the display of an instrumental band, and is of smaller extent
than that of the Hanover Square Rooms. Behind and above it, is a kind of
reflector, intended to assist in conveying musical sounds to the remote
corners of the room. The walls, as well as every thing within them, are at
present undecorated; there is nothing which can absorb or hinder the
transmission of sound, but every thing to facilitate its propagation; and,
hence, we have no doubt that a band of the same size would produce a more
powerful effect in this building than in any other concert-room in London.
Three rows of boxes front the orchestra, and over these is a gallery. We
experimented upon the room in various places; and we are bound to say, that
in no music-room of the same size has the architect so completely achieved
his purpose. The slightest inflections of the voice are not only audible,
but distinct and full even at the remotest corner of the gallery. The room
is said to be capable of holding one thousand persons: we doubt this,,
unless they were packed like the Livery in a crowded Common Hall; but it is
large enough to hold molt audiences, and large enough for comfortable
hearing.
The concert was not worth particular notice as a performance. We presume
most of the singers and players were amateurs; and we were not able to
derive much entertainment from hearing young ladies and gentlemen try their
inexperienced voices upon 'Di tanti palpiti', "Bell' imago," and other
hacknied pieces of the same school."
The Spectator, Volume 7, 01/02/1834, p. 108
1836 -
"The
ROYAL Music-hall, 16, Store Street Bedford Square. This noble Music-room
is capable of accommodation from 800 to 1.000 persons, has numerous
anti-rooms, and other requisites of accomodation. It has been built
expressly for Morning and Evening Concerts, and may be engaged for other
public meetings of sufficient character. The terms are exceedingly
moderate, and may be had on the premises; or at the pianoforte
manufactory of Mr. Wornum, adjoining."
The Musical world, 13/05/1836, p. 148

Prize medal
London, 1851 | Prize Medal London, 1862 | Exhibitors list London, 1872 |
Exhibitors list Paris, 1878

INFO EXTRA
WORNUM on WIKIWAND
WORNUM on WIKIPEDIA
 |
42, Wigmore Street, Cavendish Square,
Middlesex (*1803)(*1814)(*1817)(*1818)(*1820)(**1820)(x1825)(*1827)(*1828), 315, Oxford Street (*1813), 11, Princes Street, Hanover
Square
(*1811)(*1813), Music-hall :
[16],
Store Street, Bedford Square, W.C. (*1834)(**1835)(*1836)(**1841)(**1842)(x1842)(**1851)(**1852)(*1862)(**1865)(**1870)(**1878)(**1882)(**1884)(**1891)(*1893)(*1895)(**1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910),
Bedford, London |
WORTON |

Patent of 1861 : "2887. Robert Thomas
Worton, of Newberry-place, Kentish Town, for improvements in
pianofortes."
Newton's London Journal of Arts and Sciences, 1862,
p. 57
|
'Pianoforte Maker'
? ca. 1861 |
Newberry
Place,
Kentish Town (**1862),
London |
WREDE Herman |
 |
'Pianoforte-maker' ca. 1841-49
1849 -
"BANKRUPTS. [...] WREDE, HERMAN,
Kingsland Place, pianoforte-maker, Jan. 5, Feb. 9: solicitor, Mr.
Wickings, Finsbury Terrace; official assignee, Mr. Pennell, Guildhall
Chambers."
The Spectator, 29/12/1849, p. 1239
|
35, Lower Whitecross Street (**1841),
Kingsland Place (x1849),
London |
WREDE W. |
 |
'Musical Instrument Maker'
ca. 1822 |
15, St. John Square, Clerkenwell(**1822), London |
WRENSHALL Joseph |
 |
'Musical Instrument Maker' ca. 1796
Bankrupt 17 december 1796,
The Universal Magazine of Knowledge and Pleasure, 1796,
p. 456
|
Liverpool |
WRENSHALL William |
 |
'Musical Instrument Maker' ca. 1824-37
WRENSHALL
William & Sons,
'Musical Instrument Makers' (*1824)(*1837)
|
[101], Islington Square (**1824)(*1837),
Liverpool |
WRIGHT Hermond |
"Wright
& Co. Hermond or Harman Wright, in partnership with a person named
Wilkinson (possibly the Wilkinson who afterwards was a partner with
Broderip), succeeded Elizabeth Randall at Walsh's old shop in Catherine
Street, Strand ; this was some time between 1781 and 1784. John Walsh,
the younger, when he died, must have left an enormous stock, and no
doubt both Randall and Wilkinson will have sold from it extensively,
occasionally reprinting, from the original plates, works in demand. The
works of Handel were always saleable, and Wright & Co. re-printed these
very largely. They of course re-issued and published works by other
composers, and their imprint is found on many detached pieces of music
and songs. In 1789 the directory shows Harman Wright alone at 13,
Catherine Street, and he remained here until at least 1799. In 1802 the
directory shows that he had removed to 386, Strand ; after this I lose
trace of him."
British music publishers, printers and engravers:
London, Provincial, Scottish, and Irish, 1900, p. 159
(archive.org) - see also
WILKINSON (on this page) and
BRODERIP
|
'Musical Warehouse' and music publisher ca. 1793-99
WRIGHT
&
WILKINSIN
(1789-94) - see also
WILKINSON (on this page)
WRIGHT
& Co (1789-94) |
13, Catherine Street, Strand (*1793)(*1794), London |
WRIGHT R. C. |
 |
'Pianoforte-maker' ca. 1904 |
156, Lewisham High Road, New Ors. (**1904), London |
WRIGHT Samuel |
 |
'Pianoforte-maker' ca. 1882-95 |
131, Great Dover Street, S.
E.(**1882)(**1884)(**1891), 131 [181?], Great Dover Street, S. E. (*1893)(**1895), London |
WRIGHT Thomas Jop. |
 |
'Pianoforte-maker' ca. 1891 |
The Lawn,
Oval Road, N.W.(**1891), London |
WRIGHT W. |
 |
'Pianoforte-maker' ca. 1810-20 |
Newcastle |
WRIGHT William |
 |
'Pianoforte-maker' ca. 1891-95 |
36, Highbury Park, N. (**1891)(**1895), London |
WRIGHT William August |
 |
'Pianoforte-maker' since 1879 |
20, King's Road, N.W. (*1893), 54, Queen Street, Camden
Town, N.W. (**1891)(*1895)(**1895)(*1897)(*1899)(*1903)(*1906)(*1909)(*1910), London
|
WRO & Co |
 |
'Pianoforte-maker' ca. 1903-10 |
Market Street (*1903)(*1906)(*1909)(*1910), Manchester |
WUEST John Frederick
(1809-1889)(5) |

"F. WUEST, Organ Builder & Pianoforte Maker,
From Messrs. BROADWOOD & SONS, (Where he was regularly employed for many
years, and understands the above Branches thoroughly), RESPECTFULLY
begs leave to return his thanks to the Nobility, Gentry, and the Public of
the Counties of Pembroke, Carmarthen, and Cardigan, for the patronage and
support he has received from them during his five years' residence arnongst
them and he will feel obliged for a continuance of their commands, aud they
may rely on having- the work done to their satisfaction. He is now at
Carmarthen, where he will remain a fortnight, on his return home. - Orders
received at Mr. Richards', Organist, and by the publisher of this Paper.
Residence, 16, City-road, Haverfordwest."
The Welshman, 13/11/1835, p. 2
(newspapers.library.wales)
|
'Organ builder & Pianoforte-maker' ca. 1835-43
1809 -
John Frederick Wuest was born, son of William Edward Jones, Piano Forte
Maker.
1812 -
John Frederick Wuest was christened in St.Anne's, Soho. (PianoHistory.info)
F.
WUEST Junior (1864)(4) |
52, Holywell Street, Millbank(x1842)(*1843),
15, Upper York Street, Bryanston Square (1845)(1864)(4), London |
|
(*1793): 'The
London Directory', 1793, p. 190
(**1793): 'Wakefield's
Merchant and Tradesman's General Directory for London', 1793,
Walker p. 319
(*1794): 'Kent's
Directory for the Year 1794. Cities of London and Westminster, & Borough of
Southwark', 1794 (londonancestor.com)
(*1799): 'Catalogue
of Instrumental and Vocal Music, Printed and Sold by Broderip and
Wilkinson', 1799, p. 1
(*1803): 'Kent's
Directory', 1803,
Wigley p. 215,
Wornum p. 222
(**1804): 'Valentine
and Orson', 1804, p. 15
(**1807): 'Belle
Assemblée: Or, Court and Fashionable Magazine', 11/1807, p. 29
(*1808): 'A
New Scarborough Guide', 1808, p. 63
(**1809): 'London;
Being an Accurate History and Description of the British ...', 1809,
p. 648
(*1811): 'The
Literary Panorama', Volume 10, 1811, p. 635
(**1811): 'Jollie's
Cumberland guide & directory', 1811, p. 67
(*1813): 'The
London Gazette', 09/03/1813, p. 489
(*1814): 'The
Post-Office Annual Directory for 1814'
(*1816): 'The
Post office London directory', 1816, p. (Watlen) 349 +
(Wilkinson)
358 (babel.hathitrust.org)
(*1817): 'The
Post office London directory', 1817, p. (Watlin) 348 +
(Wilkinson)
358 + (Wornum)
368 (babel.hathitrust.org)
(*1818): 'Johnstone's
London Commercial Guide, and Street Directory; on a New and More ...',
1818, p. 373+481+521
(**1818): 'The
Poll Book, for Electing Two Representatives in Parliament for the City and
Liberty of Westminster', 1818
(xx1818): 'The
Commercial Directory for 1818', p. 260
(*1820): 'The
Post office London directory', 1820, p. (Waite) 365 + (Watlen)
371 + (Wilkinson)
381+ (Wornum)
392
(babel.hathitrust.org)
(**1820): ' The
European Magazine, and London Review', Volume 77, 1820, p. 565
(**1822): 'History,
Directory & Gazetteer, of the County of York', 1822, p. 34+63
(*1823): 'Kent's
Original London Directory', 1823
(*1824): 'History,
directory and gazetteer of the county palatine of Lancaster',
1824, p. 397/351
(**1824): 'The
Technical repository', by T. Gill, Volume 6, 1824, p. 290
(***1824): 'The
Law Advertiser', 09/1824, p. 300
(*1825): 'Newton's
London Journal of Arts and Sciences', Volume 9, 1825, p. 307
(x1825): 'Pigot
& Co.'s new commercial directory of Scotland for 1825', p. 907-908
(digital.nls.uk)
(*1827): 'Blackwood's
Edinburgh Magazine', Volume 22, 1827, p. 262
(**1827): 'The Harmonicon', Volumes 4-10, William Ayrton, 02/1827,
p. 90
(*1828): 'The
London Journal of Arts and Sciences', 1828, p. 374
(**1828): 'Pigot
and co.'s national commercial directory for 1828-9', p. 320+1064
(**1829): 'Gores'
Directory of Liverpool', 1829, p. 287
(Specialcollections.le.ac.uk)
(***1829): 'History,
Directory, and Gazetteer, of the County Palatine of Lancaster, 1829',
p. 340
(*1830): 'The
Harmonicon', Volumes 4-10, William Ayrton, 06/1830, p. 247/267
(**1830): 'The
Law Advertiser', Volume 8, 1830, p. 34
(*1833): 'The
poll for the election of members of parliament for ... Liverpool',
1833, p. 81
(*1834): 'The Spectator', Volume 7, 01/02/1834, p. 108
(x1834): 'Pigot's
Directory of 1834' (genuki.org.uk)
(*1835): 'Mechanics
Magazine', Volume 22, 1835, p. 479
(**1835): 'An
Encyclopædia of Cottage, Farm, and Villa Architecture and Furniture, 1835,
p. 1069-1070
(*1836): 'The
Musical world', 13/05/1836, p. 148
(x1836): 'Mathews's
Annual Bristol Directory and Commercial List: Being an Entire ...', 1836,
p. 233
(xx1836): 'History,
Gazetteer, and Directory of Norfolk, and the City and County of the ...',
1836, p. 204-205 + 60
(*1837): 'Pigot and co.'s national commercial directory of the whole of
Scotland', 1837,
Aberdeen p. 186,
Edinburgh p. 98,
Liverpool p. 78,
Leeds p. 54,
Newcastle p. 126
(**1837): 'The
Poll for the election ..., Liverpool', July, 1837, p. 135
(***1837): 'The
London Gazette', 16/06/1837, p. 1537
(x1837): 'History,
gazetteer, and directory, of the west-riding of Yorkshire, with the ...',
1837, p. 578
(xx1837): 'The
Musical World', 09/06/1837, p. 212
(**1838): 'The
London Gazette', 1838, p. 1552-1553
(*1839): 'Pigot's
Directory of Norfolk', 1839, p. 45
(*1840): 'The
Midland counties railway companion. Also, guides to the London and ...',
Midland counties railway, 1840, p. 84-85
(**1841): 'Post
Office London Directory', 1841, p. 807(specialcollections.le.ac.uk)
(*1842): 'The
Norwich guide and directory', G. K. Blyth, 1842, p. 248
(**1842): 'The
Mechanics' Magazine, Museum, Register, Journal, and Gazette, Volume 36, 1842',
p. 159
(x1842): 'Robson's
London Directory', 1842, p. 1598 -1599(Archive.org)
(*1843): 'The
Post Office London Directory', 1843
(**1843): 'The
Bankrupt Directory: Being a Complete Register of All the Bankrupts, with
...', George Elwick, 1843, p. 433
(***1843): 'Proceedings
of the Central Criminal Court', 27th February 1843, p. 210
(*1845): 'Mechanics
Magazine', Volume 43, 1845, p. 288
(**1845): 'The
Jurist', 04/10/1845, p. 398
(*1846): 'Slater's
National Commercial Directory of Ireland', 1846
(**1846): 'The
Repertory of patent inventions [formerly The Repertory of arts ...', Volume
8, 1846, p. 126
(*1847): 'The
Musical World', Volume 22, 1847, p. 402
(*1848): 'The
London Gazette for the year 1848', p. 490
(x1849): 'The
Spectator', 29/12/1849, p. 1239
(**1851): 'Official
description and illustrated catalogue of the Great exhibition 1851',
p. 469
(**1852): 'Post
Office London Directory', 1852
(*1854): 'The
Civil engineer & architect's journal', Volume 17, 1854, p. 279
(y1854): 'The
British colonies : their history, extent, condition and resources', 1854,
p. 15 (archive.org)
(xx1855): 'Post
Office Directory of Derbyshire and Nottinghamshire', 1855, p. 188
(**1856): 'The
London journal of arts and sciences and repertory of patent inventions',
1856, p. 181
(**1857): 'Journal
of the Society of Arts', Volume 5, 1857, p. 284
(y1857): 'The
British colonies : their history, extent, condition and resources', 1857,
p. 11-12 (archive.org)
(*1859): 'Chronological
and Descriptive Index of Patents Applied for and Patents', 1859,
p. 99
(*1861): 'Chronological
and Descriptive Index of Patents Applied for and Patents', 1861,
p. 27
(*1862): 'International
exhibition, 1862 : Official catalogue of the industrial department', 1862,
p. 54
(**1862): 'Newton's
London Journal of Arts and Sciences', 1862, p. 57
(*1863): 'Chronological
and Descriptive Index of Patents Applied for and Patents', 1863,
p. 217
(*1865): 'The
Engineer', Volume 20, 1865, p. 428
(**1865): 'Debrett's
Illustrated Peerage, of the United Kingdom of Great Britain', 1865,
p. 501
(xx1865): 'Hall's
Gravesend, Milton and Northfleet Directory, and Advertiser', 1865,
p. 29
(**1867): 'Chronological
index of patents applied for and patents granted ...', 1867, p.
130
(**1868): 'Chronological
index of patents applied for and patents', 1868, p. 80
(**1870): 'The
'Handbook' to the manufacturers & exporters of Great Britain', 1870,
p. 367
(**1871): 'Chronological
and Descriptive Index of Patents Applied for and Patents', 1871,
p. 251
(*1872): 'Journal
of the Society of Arts', Volume 20, 1872, p. 889
(*1874): 'The
Woburn Directory', 1874
(**1874): 'Post
Office Directory of Middlesex', 1874, p. 501
(specialcollections.le.ac.uk)
(**1875): 'The
Weekly Notes', Volume 10, 1875, p. 433
(**1878): 'Catalogue
officiel de la section anglaise', 1878, p. 66- 67 (archive.org)
(**1882): 'Post
Office London Directory', 1882, p. 412-413
(specialcollections.le.ac.uk)
(**1884):
'Business
Directory of London', 1884, p. 618-619
(specialcollections.le.ac.uk)
(*1885): 'Official
Catalogue', 1885, p. 317
(x1890): 'Annuaire-almanach
du commerce, de l'industrie, de la magistrature et de l'administration :
ou almanach des 500.000 adresses de Paris, des départements et des pays
étrangers', 1890 (Gallica)
(**1891): 'Post
Office London Trades Directory', 1891, p. 480-481
(specialcollections.le.ac.uk)
(*1893): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1893,
p. 656-664 (Gallica)
(*1895): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1895,
p. 717-724 (Gallica)
(**1895): 'Post
Office London Directory, 1895, p. 2038-2039
(specialcollections.le.ac.uk)
(**1896): 'Kelly's
London Suburban Directory', 1896, p. 954-955
(specialcollections.le.ac.uk)
(*1897): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1897,
p. 834-841 (Gallica)
(*1899): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1897,
p. 1010-1017,
Leeds p. 1016 (Gallica)
|
|
(**1901): 'Kelly's
London Suburban Directory', 1901, p. 1050-1051
(specialcollections.le.ac.uk)
(*1903): 'Annuaire des artistes et de
l'enseignement dramatique et musical', 1903, p. 1103-1110 (Gallica)
(**1904) : 'Post
Office London County Suburbs Directory', 1904, p. 1129-1130
(specialcollections.le.ac.uk)
(*1906): 'Annuaire
des artistes et de l'enseignement dramatique', 1906, p. 1091-1100
(Gallica)
(*1907): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1907,
p. 1094-1104 (Gallica)
(*1909): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1909,
p. 1105-1113 (Gallica)
(*1910): 'Annuaire
des artistes et de l'enseignement dramatique et musical', 1910,
p. 1144-1153 (Gallica)
(*1914): 'Post
Office London Directory', 1914, p. 1837-1838
(specialcollections.le.ac.uk)
(*1915): 'Post
Office London Directory', 1915, p. 1796-1797
(specialcollections.le.ac.uk)
(*1916): 'Post
Office London County Suburbs Directory', 1916, p. 606
(*1917): 'Post
Office London County Suburbs Directory', 1917, p. 592-593
(specialcollections.le.ac.uk)
(*1918): 'Post
Office London County Suburbs Directory', 1918, p. 571-572
(specialcollections.le.ac.uk)
(*1919): 'Post
Office London County Suburbs Directory', 1919, p. 555
(*1921): 'The Music Trade Directory', Volume
32, 1921
(1): 'Histoire de piano de 1700 à 1950',
Mario Pizzi, 1983
(2): 'Makers of
the Piano 1700-1820' and 'Makers of the Piano 1820-1860', Martha Novak
Clinkscale, 1993
(3):
Norfolk: Great Yarmouth, Voting Registers - Poll 1818
(4): Info from D. Whittaker
(5): 'PianoHistory.info',
of Bill Kibby
(6): 'British
music publishers, printers and engravers: London, Provincial, Scottish, and
Irish', 1900, p. 45+147+148+215 (Archive.org) |


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